04 May 2014

Static Electricity: "The Amazing Spider-Man 2" and "As High as the Sky"

By Mike Schulz

Jamie Foxx and Andrew Garfield in The Amazing Spider-Man 2THE AMAZING SPIDER-MAN 2

The biggest problem I had with 2012's The Amazing Spider-Man was that director Marc Webb's superhero-origin tale - with its "let's get this tiresome exposition over with" vibe and general lack of personality - felt merely like the setup for more interesting web-slinging adventures to come. The biggest problem I have with Webb's The Amazing Spider-Man 2 is that it feels almost exactly the same, like a character- and conflict-building preamble that we have to endure to get to the eventual good stuff. Things certainly happen in Webb's latest cinematic comic book, but they appear to happen solely because its surviving characters need to be positioned properly for their roles in The Amazing Spider-Man 3, the inevitable outing in which maybe, finally, the series will start living up to the imposed adjective in its title.

05 Jul 2012

Webb's Slinger: "The Amazing Spider-Man," "Tyler Perry's Madea's Witness Protection," and "Rescue 3D"

By Mike Schulz

Andrew Garfield and Emma Stone in The Amazing Spider-ManTHE AMAZING SPIDER-MAN

The Amazing Spider-Man is, without question, the absolute best superhero movie to be released this week. Of course, I say this not having seen Katy Perry: Part of Me yet, but I also say this because it's polite, whenever possible, to begin a review with words of high praise, and in this instance, I'm going to have a tough time coming up with others.

04 Oct 2010

Friendship Bytes: "The Social Network" and "Across the Sea of Time 3D"

By Mike Schulz

Jesse Eisenberg and Justin Timberlake in The Social NetworkTHE SOCIAL NETWORK

You may have heard that a lot of critics, in their reviews of the film, have been comparing the Facebook saga The Social Network to Citizen Kane. So before this turns into one of those inaccurate, Al-Gore-says-he-invented-the-Internet sort of myths, let me clarify: They're saying that in terms of its storyline, themes, and protagonist, director David Fincher's and screenwriter Aaron Sorkin's movie is more than a bit reminiscent of Orson Welles' 1941 untouchable. No one, to my knowledge, is saying that The Social Network is as good as Citizen Kane.

Having said that, The Social Network is as good as Citizen Kane.

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