Ben Affleck and Jeremy Renner in The TownTHE TOWN

Director/co-writer/star Ben Affleck's crime drama The Town is an enjoyable, frustrating, fascinating contradiction: a movie with a storyline that's nearly impossible to buy, yet one performed and directed with such assurance and strength that it's nearly impossible not to buy. You can roll your eyes at the film's many clichés and contrivances, but you can't say they're presented with anything less than full commitment; for a two-hour-plus movie that doesn't provide even one truly novel character, situation, insight, or plot twist, The Town is remarkably fresh.

Madeline Carroll and Callan McAuliffe in FlippedFLIPPED

Rob Reiner's 1986 Stand by Me told us that we'll never have better, more meaningful friends than the ones we had when we were 12. His new film, Flipped, tells us that we'll never have better, more meaningful romances than the ones we had when we were 12. It's touching, if a little sad, that it's all apparently been downhill for the director since hitting his teen years, but does Reiner's nostalgic yearning somehow excuse his latest for being so bland, saccharine, and childish? Set just a few years after Reiner's summer-of-'59 hit, Flipped is like Stand by Me without profanity, dirty jokes, unforced camaraderie, and Kiefer Sutherland. In other words, it's just a stone's throw away from utterly excruciating.

Ashley Bell in The Last ExorcismTHE LAST EXORCISM

For the majority of its length, The Last Exorcism is a hell of a good time. I'd love to say that's because the movie is terrifying, but it isn't, really; the biggest jolt you're likely to experience comes in the first 20 minutes, when a teen unexpectedly hits a car's rear window with a rock. Yet until it goes seriously off the rails in its final third, director Daniel Stamm's low-tech scare flick is clever and engrossing (without being all that gross), and it boasts a protagonist who's something unique for his genre: a funny, friendly sort whom you're still aching to see get what's coming to him.

Jason Bateman and Jennifer Aniston in The SwitchTHE SWITCH

Since it's a romantic comedy starring Jennifer Aniston that actually doesn't suck, it's temping to overrate The Switch, which opens with Aniston's Kassie preparing to be artificially inseminated, and BFF Wally (Jason Bateman) - who secretly loves her - swapping her sperm donor's donation for one of his own.

Annette Bening, Julianne Moore, Josh Hutcherson, Mia Wasikowska, and Mark Ruffalo in The Kids Are All RightTHE KIDS ARE ALL RIGHT

In general terms, explaining what director Lisa Cholodenko's The Kids Are All Right is "about" is a pretty easy task: 18-year-old Joni (Mia Wasikowska) and 15-year-old Laser (Josh Hutcherson) - the children of a contented and devoted lesbian couple (Annette Bening's Nic and Julianne Moore's Jules) - arrange a first meeting with their shared sperm-donor father (Mark Ruffalo's Paul), and through several more meetings, watch as his casually disruptive presence gradually, irrevocably alters their family dynamic. Yet while this is an accurate, if simplified, plot synopsis, it doesn't come remotely close to explaining what this buoyant, original, altogether extraordinary dramatic comedy is actually about.

Tina Fey and Steve Carell in Date NightDATE NIGHT

Playing husband and wife in the marital action comedy Date Night, Steve Carell and Tina Fey partner each other with such skillful ease, and radiate such genuine affection for one another, that my issues with the film have come to feel insignificant, and even a little petty. I had a not-bad time at director Shawn Levy's latest. But reflecting on the experience, I've found it awfully difficult to wipe the grin from my face; surrounded by an exceptional cast of second bananas, Carell and Fey are so genial and inventive together that it's easy to ignore the dully synthetic, determinedly formulaic Hollywood product they're appearing in.

Johnny Depp in Alice in WonderlandALICE IN WONDERLAND

Beginning with 2001's Planet of the Apes remake, Tim Burton has cast domestic partner Helena Bonham Carter in all six of his most recent feature films, and he's never made better use of her beguiling, somewhat perverse charisma than in his new take on Alice in Wonderland.

Brandon T. Jackson, Logan Lerman, and Alexandra Daddario in Percy Jackson & the Olympians: The Lightning ThiefPERCY JACKSON & THE OLYMPIANS: THE LIGHTNING THIEF

Just because the title is rather unwieldy, and the film is about an adolescent with otherworldly abilities, and this kid has male and female tag-along pals with powers of their own, and there are a lot of CGI effects on display, and the director is Harry Potter & the Sorcerer's Stone and Harry Potter & the Chamber of Secrets helmer Chris Columbus, don't think that Percy Jackson & the Olympians: The Lightning Thief is necessarily indebted to J.K. Rowling. The latest Harry Potter movie, after all, found its hero contending with a Half-Blood Prince. This adventure, on the other hand, finds its son-of-Poseidon protagonist attending Camp Half-Blood. See? They're not even remotely similar.

Channing Tatum and Amanda Seyfried in Dear JohnDEAR JOHN

Since no one's been pressing a gun to my head, I haven't read Nicholas Sparks' Dear John, which concerns a pair of star-crossed lovers whose romance is derailed by the young man's Army tenure. I have, however, seen director Lasse Hallström's screen version, which apparently follows the novel's blueprint faithfully (albeit with an altered ending), so permit me a question: Does Sparks have absolutely no shame?

Jeff Bridges and Maggie Gyllenhaal in Crazy HeartCRAZY HEART

Writer/director Scott Cooper's Crazy Heart is a character drama of gentle, lulling rhythms -- so lulling, in truth, that I momentarily dozed off halfway through the film. But I'm pretty sure that I was smiling as I slept, because the steady, deliberate pacing feels just right for the tale Cooper's telling, and because star Jeff Bridges is so masterfully assured as down-and-out country singer Bad Blake that he leaves you in a state of utter, unadulterated happiness and calm. (The actor might almost be saying, "Go ahead and nap. I'll be here when you wake up.") There may have been more exciting screen performances amidst 2009's releases, but possibly none as thoughtful, lived-in, and moving as Bridges'; in his hands, a role that easily could've been a one-note conceit is nothing short of symphonic.

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