Michiel Huisman and Blake Lively in The Age of AdalineTHE AGE OF ADALINE

In director Lee Toland Krieger's The Age of Adaline, Blake Lively plays a 29-year-old who, following a supernatural accident involving a car crash and a bolt of lightning, goes through life never again aging a day, and 82-year-old Ellen Burstyn plays her daughter. You may recall that Burstyn also recently portrayed Matthew McConaughey's elderly daughter in Interstellar. If this is the continuation of a trend for the magnificent actress, I'm really hoping she keeps acting for another decade or more, because I'm dying to eventually see her cast as the great-grand-niece to that adorable little girl on Modern Family.

Zoe Saldana, Bradley Cooper(ish), Chris Pratt, Vin Diesel(ish), and Dave Bautista in Guardians of the GalaxyFriday, August 1, 9:50 a.m.-ish: Movies based on Marvel comics are routinely, sometimes annoyingly formula-driven. But 10 minutes into Guardians of the Galaxy, I really hope every subsequent Marvel release steals from this one, because all the studio's films - hell, all films period - should open with Chris Pratt doing a Singin' in the Rain soft-shoe to Redbone's "Come & Get Your Love."

Rooney Mara and Daniel Craig in The Girl with the Dragon TattooTHE GIRL WITH THE DRAGON TATTOO

Although I haven't read the book and now have no desire to, my guess is that those who love author Stieg Larsson's The Girl with the Dragon Tattoo will likely love the new film version, which boasts exceptional style and (as I understand it) doesn't significantly veer from the novel's narrative. Similarly, those who genuflect at the altar of David Fincher - and I'm occasionally one of them - will find plenty to adore here, as the director's signature imprint is on every seedy, suggestive, sepia-toned image.

Neve Campbell in Scream 4SCREAM 4

Directed, as all of the franchise's outings have been, by Wes Craven, and written by Kevin Williamson, Scream 4 is a sequel, a reboot, and a big middle finger to reboots, all in one bloody, meta, mostly tedious package. It opens beautifully and features a bunch of (mostly verbal) horror-comedy pleasures, yet its overall effect is wearying; Craven and Williamson are so focused on deconstructing the genre - the Scream series in particular - for a media-soaked, hipper-than-thou young audience that even its "surprises" are in quotation marks. Watching Scream 4 is like watching a movie with its commentary track running before you've had a chance to experience the film without it.