02 Jan 2008

Razor D'etre: "Sweeney Todd: The Demon Barber of Fleet Street," "The Great Debaters," and "Charlie Wilson's War"

By Mike Schulz

Johnny Depp and Alan Rickman in Sweeney Todd: The Demon Barber of Fleet StreetSWEENEY TODD: THE DEMON BARBER OF FLEET STREET

As the title character in Sweeney Todd: The Demon Barber of Fleet Street, Johnny Depp gives a controlled, admirable one-note performance in a role that calls for many more notes. This isn't a knock - well, not a huge knock - on his singing of this legendary Stephen Sondheim musical; Depp may not have the vocal power or range to do full justice to Sondheim's and book-writer Hugh Wheeler's masterful creation, but he gives it a good shot, and his morose speak-singing fits director Tim Burton's interpretation of the work. It's the interpretation that's the problem.

21 Feb 2007

Nominees and Wannabes: Eight 2006 DVDs That Received - or Just Missed - Oscar's Attention

By Mike Schulz

Ryan Gosling in Half NelsonI consider myself an Academy Awards completist: Prior to the annual Oscar telecast, I want to see as many of the nominated films as I can. But I'm also a lazy completist - I want to see these movies so long as I don't have to drive really far. (This is why, to my disappointment and discredit, I'll be watching Sunday's telecast without having viewed Little Children, Venus, and The Good German.)

Thank goodness, then, for DVD.

10 May 2006

Cruise in for a Bruisin': "Mission: Impossible III"

By Mike Schulz

Tom Cruise and Keri Russell in Mission: Impossible IIIMISSION: IMPOSSIBLE III

Call it envy, call it sour grapes, call it schadenfreude, but I'll admit to hugely enjoying the public meltdown of Tom Cruise, mostly because it's finally making him interesting. Cruise has always been too bland to be true. He's moderately proficient, and in several of his films - most recently Collateral and Minority Report - he's even been impressive. But he has too few resources to draw upon as a performer. It would be hard to accuse Cruise of slouching on the job - he's determined and earnest, and you can sense him trying to suggest interior life. But his line readings have no surprise and his on-screen performances rarely build; whenever a new scene begins, Cruise appears to have forgotten everything his character experienced in his previous scenes. He can't seem to play more than one emotion, or one thought, at a time.

24 Jan 2006

Hoffman Dazzles in a Remarkable "Capote": Also, "Hoodwinked" and "The New World"

By Mike Schulz

Philip Seymour Hoffman in CapoteCAPOTE

When I first saw Bennett Miller's Capote back in November, I was so knocked out by Philip Seymour Hoffman's portrayal that I fear I may have undervalued the movie itself; Hoffman's channeling of this singular author was so extraordinary that, although the film itself wouldn't fit anyone's definition of "feel-good," I'm not sure I stopped smiling once through its two-hour running length. (Performances of this quality have a way of putting me in a fantastic mood, regardless of a movie's subject matter.) But on a return visit to Capote this past weekend, I was able to more fully luxuriate in the brilliance of its design and the strength of its presentation; what could have been a "mere" performance piece proves, in the hands of Miller and screenwriter Dan Futterman, to be a work of rare artistry and depth. Capote is so beautifully crafted - thematically rich, psychologically insightful, and mordantly funny - that you might be embarrassed by what a fine time you're having at it.

23 Mar 2004

Depp Makes "Secret Window" a Non-Guilty Pleasure: Also, "Spartan" and "21 Grams"

By Mike Schulz

Johnny Depp in Secret WindowSECRET WINDOW

Even though the movie isn't all that good, Secret Window is one of those thrillers that you want to watch again immediately after your first viewing. But unlike, say, The Sixth Sense or Fight Club, where you're curious to see exactly how The Twist was pulled off, your desire to return to this Stephen King adaptation is based solely on one thing: the performance of Johnny Depp.

27 Jan 2004

Hollywood's Latest Crop a Predictable Lot: "Along Came Polly," "Win a Date with Tad Hamilton!", "Disney's Teacher's Pet," and "Calendar Girls"

By Mike Schulz

Ben Stiller and Jennifer Aniston in Along Came PollyALONG CAME POLLY

There's a pretty funny movie lurking within Along Came Polly, but unfortunately, it bears little relation to the slack and obvious one Ben Stiller and Jennifer Aniston are stuck in.

06 Jan 2004

"Cold Mountain" Is a Cold Fish: Also, "Pieces of April" and "Stuck on You"

By Mike Schulz

Jude Law in Cold MountainCOLD MOUNTAIN

Though the story of two separated lovers braving incredible hardships to eventually reunite is a common one in war-themed movies, I don't think I've ever been less moved by it than in Anthony Minghella's Cold Mountain, an adaptation of Charles Frazier's much-adored Civil War novel.

16 Sep 2003

"Matchstick Men" Feels Like a Con: Also, "Once Upon a Time in Mexico," "Owning Mahowny," and "The Order"

By Mike Schulz

Nicolas Cage and Alison Lohman in Matchstick MenMATCHSTICK MEN

Ostensibly, Ridley Scott's dramatic comedy Matchstick Men deals with Roy (Nicolas Cage), a professional con artist, connecting with Angela (Alison Lohman), the 14-year-old daughter he never knew he had, and trying to better himself as a father figure.

10 Jun 2003

Skip "Furious" and Take a "Wrong Turn": "2 Fast 2 Furious," "Wrong Turn," "The Guru," and "Love Liza"

By Mike Schulz

Paul Walker and Tyrese Gibson in 2 Fast 2 Furious2 FAST 2 FURIOUS

How did this happen? How, in a summer chockablock with megahit wannabes of all sorts, did the major studios agree to get out of Universal's way and allow 2 Fast 2 Furious to be the only new release of the June 6 weekend? Are the powers-that-be at Universal holding compromising photos involving the rival studio heads? Are they holding their pets hostage? Why, for the love of God, are Universal's competitors letting this terrible movie become a hit? Granted, the opening five minutes are fun, and there's a squirmy torture scene involving a rat attempting to burrow through a man's stomach.

15 Apr 2003

Lee's Latest Should Not Be Missed: "25th Hour," "A Man Apart," "Dysfunktional Family," and "Anger Management"

By Mike Schulz

Barry Pepper, Edward Norton, and Philip Seymour Hoffman in 25th Hour25TH HOUR

I wish my schedule had allowed me to catch Spike Lee's 25th Hour sooner, as I would have happily spent the last two weeks extolling its merits to everyone I saw. (It ends its run at the Quad Cities Brew & View on April 17.) The film, wherein a convicted drug dealer (Edward Norton) spends his last free day in New York tying up loose ends among family and friends, is probably Lee's most passionate, exemplary work since 1989's Do the Right Thing. Though the movie showcases Lee's trademark anger, profane humor, and uncommon vibrancy, what sets the film apart from his usual fare is its sadness; it has an aura of melancholy that keeps the director's more bombastic impulses in check. (He even pulls off a beauty of a lullaby ending, one which, in lesser lands, could have been disastrous.)

Pages

Subscribe & Listen to Reader Podcasts

On Stands Now

 

Tagged Content

Two Ways to Subscribe

1. Subscribe to free weekly e-mail content updates.

You'll get both the current official narrative challenge and What's Happenin' in the Quad Cities.
(Did you know we publish a new Amy Alkon Advice Goddess, Real Astrology, Red Meat cartoon and RCR Crossword every week?) 

* indicates required

View previous campaigns.

2. Get 12 monthly issues mailed first class for $48

Get 12 issues mailed monthly for $48 per year.

Get the printed Reader edition mailed to you (or anyone you want) first-class for 12 months for $48.
$24 goes to postage and handling, $24 goes to keeping the doors open!

Click this link to Subscribe now.