Paul Giamatti and Clive Owen in Shoot 'Em UpSHOOT 'EM UP

Frequently unpleasant and almost pathologically violent, Michael Davis' action thriller Shoot 'Em Up is a joke, and the film's biggest detriment is that is takes too long for it to be an intentional one.

Irma P. Hall and Tom Hanks in The LadykillersTHE LADYKILLERS

Just about every Coen brothers comedy is more enjoyable on a second or third (or fourth or fifth) viewing than it is on a first; once you adjust to Joel's and Ethan's Byzantine plotting, affected wordplay, and in-your-face staging - culminating in a style that can make their works seem, initially, show-offy and too quirky by half - the brothers' filmmaking exuberance eventually wears down your resistance, and their scripts feature some of the funniest non sequiturs you'll ever hear. (Nearly every movie fan I know can recite reams of dialogue from Raising Arizona and Fargo and O Brother, Where Art Thou?.) The Ladykillers, the Coens' adaptation of a 1955 Alec Guinness comedy, is mostly on the hit side of hit-or-miss, and I'm guessing that it, too, will eventually become a beloved treasure trove of quotable quotes, mostly because, on a first go-around, it takes diligence to decipher exactly what Tom Hanks is saying in it.

Christina Ricci and Charlize Theron in MonsterMONSTER

In all honesty, I was rather dreading Patty Jenkins' Monster, the much-lauded drama that has received nearly universal acclaim (and a Best Actress Golden Globe) for star Charlize Theron.

Billy Bob Thornton and Lauren Graham in Bad SantaBAD SANTA

You might find yourself fearing the worst in the opening reel of Terry Zwigoff's Bad Santa.

Morgan Freeman and Ashley Judd in High CrimesHIGH CRIMES

If Hollywood studios absolutely insist on feeding us one piece-of-crap potboiler after another, they could certainly do worse than the trashily entertaining military thriller High Crimes.