I've visited this little theatre, and knew it was in the mainstage's large green room, but o, my brothers and sisters – I'd never seen it like it is now.

Director Aaron Baker-Loo created a memorable musical production – though, admittedly, I found the whole saga more depressing than I remembered. Luckily for the Spotlight, their presentation is also an enchanting spectacle that is more than enough to keep even the youngest viewer interested.

2013's Exit Laughing is at Geneseo's Richmond Hill Barn Theatre, and it is a damn good time. Director Mike Skiles and his cohorts have built an entertaining, satisfying production on the foundation of a solid script.

Just a few performances in and I think it’s safe to say that the Circa '21 Dinner Playhouse has a hit on its hands.

As faithful theatre-goers have proved their devotion to Church Basement Ladies (and its many offspring) since 2007, the Circa '21 Dinner Playhouse has resurrected it for the third time. At Thursday's preview night, I saw everything they had made, and behold – it was very good. Yea, those lutefisk-loving Lutherans on the lowest level of the Lord's House have returned.

Reviews by Rochelle Arnold, Jeff Ashcraft, Patricia Baugh-Riechers, Audra Beals, Pamela Briggs, Dee Canfield, Madeline Dudziak, Kim Eastland, Emily Heninger, Heather Herkelman, Paula Jolly, Victoria Navarro, Roger Pavey Jr., Alexander Richardson, Mark Ruebling, Mike Schulz, Joy Thompson, Oz Torres, Brent Tubbs, Jill Pearson Walsh, and Thom White.

Kelsey Walljasper directed this slick, joyous production, with Mitch Carter as music director, and with a lovely balance of comedy and heart, it's inspiring, not too serious, and looks and sounds fabulous.

The premise is simple enough. A group of five women are getting together to celebrate a bride-to-be. Their activity of choice is a paint night, where they'll all be guided through the created replication of a particular painting. Along the way, they’ll drink, gossip, and expel their deepest, darkest secrets. This isn't to imply that things here aren’t funny – they frequently are. It’s just that Paint Night's comedy feels more like light seasoning in a rather heavy stew. But I’m getting ahead of myself.

Plucky, abused orphans. English-language literature is full of 'em: Dickens' lads Oliver Twist and David Copperfield; Canada's Anne Shirley; America's optimistic Annie; prehistoric Europe's Ayl; contemporary Britain's Harry Potter. One 177-year-old orphan still going strong is Jane Eyre.

Spaceworms, now playing at the St. Ambrose University Studio Theatre, is Haus of Ruckus’s latest foray into exotic locales, obscure pop culture references, and puppetry. Directed by T. Green, the Haus’s newest is a delight for those obsessed with sci-fi pop culture and unfamiliar with the oeuvre of the company.

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