I can only imagine how honored Andy Bro would be to see his name attached to annual presentations of world premieres – shows boasting the exceptional talent, on- and off-stage, continually lured to his theatre in the woods. That being said, and having nothing but admiration and gratitude for Timber Lake's series, I think The Mermaids may have broken my brain.

Self-referential meta-theatre ploys wage stealth attacks on the audience like mosquitoes. By the time you notice the tiny, piercing strike, it’s gone.

There are some scripts that can be like pulling teeth when not done right. Thankfully, no orthodontist is needed for director Tristan Tapscott's powerful production of Arthur Miller’s Death of a Salesman.

Nostalgia has a funny way of raising the stakes. A mediocre presentation wouldn’t just be disappointing; it would feel like someone had replaced my ruby slippers with muddy boots and then trounced all over my childhood memories. Thankfully, director Tony Parise’s production bursts to life with color, imagination, and obvious affection for the material.

Reviews by Rochelle Arnold, Jeff Ashcraft, Patricia Baugh-Riechers, Audra Beals, Pamela Briggs, Dee Canfield, Madeline Dudziak, Kim Eastland, Emily Heninger, Heather Herkelman, Kitty (née Israel) Hooker, Mischa Hooker, Paula Jolly, Victoria Navarro, Roger Pavey Jr., Alexander Richardson, Mark Ruebling, Mike Schulz, Joy Thompson, Oz Torres, Brent Tubbs, Jill Pearson Walsh, and Thom White.

Yes, there is a competition with eliminations and a winner to be determined. But the real fun comes from watching these kids interact. The show is carried by character moments, and this cast delivers plenty of them.

Director Pam Cantrell, her cast, and her crew served this entertaining concoction (yes, there are funny bits) with seven of Poe’s stories as ingredients.

Right from the top, the Spotlight Theatre becomes immersive with the citizens of Arendelle positioned throughout the house. Music Director Randin Letendre keeps the sound pure and exactly what audiences expect with some lovely harmonies.

Kitty: Before the show started, Tommy Ranieri, the Timber Lake Playhouse's artistic director, asked the audience for a show of hands: Who had seen Hands on a Hardbody on stage before?

Mischa: And no one had. He was clearly making the point that this show is not so well known to the general public. And really, the premise seems a little dubious for a stage musical.

Under the music direction of Rachel Young (who also conducts and plays keys in the superb five-person orchestra), and with the performers' individual vocal prowess unmistakable, the Showboat's acting ensemble sounds tremendous – easily matching, and occasionally bettering, the vocals of the Broadway cast.

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