What do you get when four young adults’ lives are entangled with one another, yet the full picture doesn’t come into focus until the final moments? You get word play, written by fellow Reader reviewer Alexander Richardson: a tightly woven one-act that asks its audience to lean in, listen closely, and trust the unraveling.

Director/choreographer Ashley Becher and musical director Ethan Hayward, alongside their wonderful crew and energetic, talented crème de la crème cast, elevate the solid script and score into the realm of delight.

Reviews by Rochelle Arnold, Jeff Ashcraft, Patricia Baugh-Riechers, Audra Beals, Pamela Briggs, Dee Canfield, Madeline Dudziak, Kim Eastland, Emily Heninger, Heather Herkelman, Kitty (née Israel) Hooker, Mischa Hooker, Paula Jolly, Victoria Navarro, Roger Pavey Jr., Alexander Richardson, Mark Ruebling, Mike Schulz, Joy Thompson, Oz Torres, Brent Tubbs, Jill Pearson Walsh, and Thom White.

Kitty: In keeping with the feminist theme, the women were the ones driving this show.

Mischa: The three main actresses are all blessed with tremendous singing voices, and each one alternately becomes the center of attention in a series of impressive numbers.

What a night of theatre Thursday night’s What Might Have Been opening proved to be.

The Playcrafters Barn Theatre closes out its 2025 season with Cheaper by the Dozen, adapted for the stage by Christopher Sergel and directed by Emma Terronez. It offers family-friendly entertainment … if also entertainment devoid of yuletide cheer for the particularly Christmas-adverse.

M: It was an unmitigated pleasure to watch Sydney Richardson portray this part. She exuded the perfect mix of Midwestern charm and knowing experience to make it really come to life.

Kitty: Oh, absolutely. This show’s brisk run time of just over an hour could easily feel much longer if the script slipped into a singsong lull. But Richardson handles the verse like a pro.

The Spotlight Theatre’s current offering is the 2013 Cinderella, which has all the memorable songs and just the right amount of appealing humor. And I thoroughly enjoyed Friday’s opening-night performance, with director Sarah Greim, music director Christine Rogers, and choreographer Michelle Kabel wrangling a large, talented cast with terrific voices, and the show's crew contributing to the magic.

Harry and Marv. The Grinch. Mr. Potter. Hans Gruber. All of the other reindeer. There is no shortage of Christmas villains, and most are memorable. Yet after seeing Friday’s performance of Santa Claus: The Musical at the Circa '21 Dinner Playhouse, I’m ready to add the name Henchy to the list.

The Lion in Winter is considered a classic, and its current area production, directed by Noah Hill for Moline′s Black Box Theatre, is an enthralling, often hilarious feast, with the fine cast of seven doing full justice to the clever script.

Pages