With the opening of MidCoast Gallery West, the arts energy in the Rock Island District is, as Emeril Lagasse says, bam: taken up a notch. The gallery is located at the corner of 17th Street and 2nd Avenue and is paired with the ArtFX Gallery, and both sit a mere half-block from the Glass Impact glassblowing studio.
The Annual Rock Island Fine Arts Exhibition gets better each year, and this year's show is not to be missed when it opens on April 5 in Augustana College's Centennial Hall Gallery. There were 280 entries from 149 artists in this year's edition of the annual regional competition, and only 66 works made the show, including 10 from Iowa City, nine from Davenport, seven from Rock Island, and five each from Moline and Bettendorf.
In the two-person exhibit at the MidCoast Fine Arts Gallery in LeClaire, visitors can see one artist who is in awe of his medium and subject matter, and another who enjoys manipulating her medium to fit her subject matter.
Should the point of a visual-art exhibition be intuitively obvious based on viewing it? Or is it appropriate that one has to read significant commentary to get the exhibitors' point? Whatever your view, to fully appreciate the new exhibit at Augustana College, you need to read the narratives.
The two artists currently showing at Quad City Arts in The District take their art very seriously. The artist statements of Eric Mart and Christopher Bradshaw suggest that these men have a higher purpose in their work; they seem to create art not with joy but out of a sense of responsibility.
"Painting flowers is my passion. It is my way to express life with a belief in goodness, life with hope." With that first line from her artist statement, Davenport resident Caroline England shows that she's articulate in addition to being a talented watercolorist.
According to urban legend, the young schoolteacher from Texas stormed into the powerful man's office and demanded, "How dare you display my drawings without my permission!" At 56 years old, Alfred Stieglitz was already taken with Georgia O'Keeffe's abstract charcoal drawings; now he would fall in love with the woman.
Akiko Koiso's ceramic sculptures have always exhibited fine craftsmanship and attention to detail, with a refinement, beauty, and a sense of proportion that attract me. Her works transcend their media, letting form, color, and beauty attract.
"Criticism comes easier than craftsmanship," said the ancient Greek painter Zeuxis, in his most famous quotation. With that admonition, this review is duly cautioned. Zeuxis is also a national group of professional painters who support the art of the still life.
Bruce Walters' Two Crosses reminds me of a walk in a New Orleans cemetery with the crypts above ground and the iron-grate doorways; it is a graphite painting that uses a dramatic portrayal of lights and darks to give the eerie feeling one would get while walking alone at night in a burial ground.

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