Returning to downtown Davenport for the 47th time after an unplanned year off, the Quad-City Times Bix 7 will find runners and walkers taking on a seven-mile foot race alongside live bands and cheering crowds, with the July 23 and 24 weekend also featuring numerous block parties – hosted by more than 20 downtown-Davenport businesses – between the Rock Island Arsenal Bridge on the east to the Centennial Bridge on the west.
This feature lists all headlines with links to the articles by date/time published online by Quad Cities-area media outlets and the state-politics sections of the Des Moines Register and the State Journal-Register.
Five days of outdoor fun will be on hand when East Moline's Rock Island Country Fairgrounds hosts the annual Rock Island County Fair July 20 through 24, offering patrons mornings, afternoons, and evenings filled with carnival rides, games, food vendors, animal shows, racing tournaments, 4-H events, and exciting happenings scheduled for the nights' grandstand entertainment.
Lauded by the Sun-Sentinel as a “well-plotted, poignant, and often sweet debut” that “stirs up a lively mixture of Filipino culture, food, and family bonds,” Mia Manansala's Arsenic & Adobo was released in May to rapturous praise, and on July 27, its author will appear in a virtual presentation hosted by the Moline Public Library to discuss her career, writing process, and book debut that BuzzFeed labeled on of the most highly anticipated mystery novels of 2021.
A much-lauded poet and novelist who hails from Marshalltown, Iowa, Native American writer Ray Young Bear will be the special guest in a July 29 virtual poetry reading hosted by Davenport's Figge Art Museum, the author 's works having been previously published in periodicals including Parnassus, Ploughshares, and American Poetry Review.
Illinois Legislative Inspector General Carol Pope announced her resignation last week and will leave office by December 15. She cited several reasons, including her thwarted attempt to issue subpoenas without any checks or balances. “True ethics reform,” she said of the legislature, “is not a priority.”
Publisher's Note: The Reader is pleased to present our second Q&A with the Scott and Rock Island County Health Departments on controversies, contradictions, and conflicts that continue to plague the COVID-19 pandemic narrative. Questions were sent to both county health departments and simultaneously published in our June 2021 edition. And once again, to their huge credit, Scott and Rock Island health officials have fully engaged in this process, providing comprehensive responses for Quad Citians to consider.
As I write this, two of the three national credit-rating agencies have upgraded the State of Illinois’ rating in a week’s time. And the only remaining hold-out owes us one. Big time.
You cannot on the one hand constantly harp about decades of Illinois credit-rating downgrades and then blithely dismiss the first bit of good Illinois rating news since George Ryan was governor. It’s okay to step away from the “Illinois is awful” screaming for a moment in the wake of last week’s upgrade of Illinois’ bond rating by Moody’s Investors Service. While not the end of our problems by any means, it signals yet another important fiscal turning-point.
Last week, I asked the spokespersons for all four state legislative caucus leaders if they considered the spring session’s COVID-19 protocols in their respective chambers to be a success. I didn’t think I’d get much in the way of a newsworthy response, but I actually did.
Even within the subset of meritorious solo or duo shows, author Lauren Gunderson's I & You is a particularly outstanding and imaginative two-person play unlike any I've seen in the Quad Cities, and one to which the Black Box Theatre did full justice. I attended opening night as one member of an equally appreciative crowd.
This past weekend, in all its masked glory, Genesius Guild’s Hippolytus featured gorgeous face coverings designed by Daitlyn Duffy and fitted by Bob Hanske, and these were certainly not your typical COVID-era face masks, either; they were works of art that amazingly kept mouths uncovered. When paired with Sara Wegner’s absolutely beautiful costumes, I was swept up in the story before anyone said a single word.
Family history can often be synonymous with family drama. And anyone who has ever argued over ownership of a family heirloom with their sibling will probably appreciate the Playcrafters Barn Theatre's current production.
A famous William Shakespeare title featuring the Bard's most famous stage direction serves as the first of two free summertime Riverside Theatre productions held in Iowa City's Lower City Park, with The Winter's Tale, from July 15 through 25, treating audiences to passion, treachery, low comedy, high drama, and a potentially unforgettable “exit, pursued by a bear.”
Based on the beloved Janet Letnes Martin and Suzann Nelson book Growing Up Lutheran and an ever-popular stage entertainment for more than 15 years, Church Basement Ladies serves as the latest musical-comedy presentation at the Clinton Area Showboat Theatre, its run sure to demonstrate why Broadway World called the experience “a completely fun evening” that's “really, really funny.”
With the pop-culture Web site NME.com giving the artist's solo-album debut Super Monster four stars and calling the release “a vivid portrait of the giddiness and drama of love,” bedroom-pop singer/songwriter Claud performs July 30 as the first headliner for Davenport's new Raccoon Motel at 315 East Second Street, her compositions, according to NME.com, capable of “pulling on the heartstrings in a way that feels intensely genuine.”
After a 2020 program held virtually, Iowa City's beloved Soul & Blues Festival is back to enthrall live audiences on July 30 and July 31, with this year's assemblage of amazing local and regional performers including blues sensation and headliner Nora Jean Wallace, the Chicago-based artist who inspired Blues Blast magazine to rave, “Wallace is the real deal and her songs are worth repeated listens.”
A multi-platinum-selling singer/songwriter with the distinction of having earned six American Country Awards in one year, chart-topping superstar Jason Aldean serves as the first Grandstand performer in the 2021 Mississippi Valley Fair, his August 3 appearance treating country fans to a thrilling repertoire that boasts nine studio albums and a remarkable 22 number-one singles to date.
Iowa City-based underground jack-of-all-trades Samuel Locke Ward is one of those dudes around whom a scene seems to coalesce. He plays in numerous bands and one-off projects, maintains a busy slate of releasing new solo music, and recently dropped a full duo album with Mike Watt of Minutemen on which, not to put too fine a point on it, he served as the D. Boon-esque singer/songwriter/guitarist foil to Watt’s still-sick bass shredding.
There must be something in the water in the Quad Cities that makes absolute shredders out of its residents. I feel like every month, when I’m digging through local music on Bandcamp, some new project that I’ve never heard of before leaps out at me with a malevolent grin and says, “Here, take this masterful, fully realized [death metal] [black metal] [progressive metal] [grindcore] album that was probably recorded in some guy's home studio but that hits with rock-solid ideas and a professional level of production that can compete with the most high-budget release on a larger label.”
Director Malcolm D. Lee's LeBron-James-meets-the-Looney-Tunes adventure, beyond feeling cynical and desperate, may be the most flabbergasting, relentlessly self-promoting entertainment I've ever endured. Lee's movie is constantly selling, yet the only thing it actually gave me was a headache.
With more praise (and some damnation) to come, I suppose the highest compliment I can pay director Cate Shortland's new Black Widow is that, in the grand scheme of things, this Marvel entry could hardly matter less.
Directed by Everardo Gout and written, as all of them have been, by James DeMonaco, The Forever Purge is the fifth and purportedly final (sure, whatever) installment in the popular series of horror thrillers, and offhand, it's hard to think of another long-running film franchise that has gotten more mileage out of being not bad.
F9: The Fast Saga opens like Days of Thunder, middles like James Bond, and closes like a Corona commercial. In between those mile markers, the movie also manages to suggest a lost Indiana Jones sequel, a live-action Road Runner cartoon, a week-ending episode of Days of Our Lives, and a biggest-bicep competition in which the only entrants are Vin Diesel and John Cena. Needless to say, I ate it all up with a spoon.
Energetic, multi-hued works by an Arizona-based artist with significant ties to the Quad Cities will be on display in the next exhibition at the Beréskin Gallery & Art Academy, with the Bettendorf venue, through July 8, housing Tim Schiffer: Paintings within Paintings, a collection of arresting pieces created by the former executive director of Davenport's Figge Art Museum.
Members of the Figge Art Museum who have admired the many works in the venue's current Tom Uttech: Origin are invited to enjoy a live audience with the artist himself, as the virtual August 4 presentation A Conversation with Tom Uttech finds the gifted Wisconsin painter and photographer discussing his process and inspirations while also answering participants' questions.
Human figures, evocative colors, and a new yet familiar Quad Cities landmark are among the visuals showcased in the latest exhibitions at Rock Island's Quad City Arts Center, with the venue, through August 13, highlighting new paintings by Port Byron's Laura Vincent-Arnold in Internal Landscapes and Bettendorf's John Born in Bridging the Divide.
The celebration of a talent known for combining real and imagined elements inspired by nature in his captivating works, the Figge Art Museum's new exhibition Tom Uttech: Origin, on display through August 15, will feature Kisibakwad, the beloved painting from the Figge collection, alongside a selection of the artist's large-scale photographs from the collection of the Museum of Wisconsin Art.
Works by one of the most gifted and prolific artists of the 21st century will be on display in the newest exhibition at the Figge Art Museum, with the Davenport venue, through August 22, housing Lesley Dill – Wilderness: Light Sizzles Around Me, a showcase for the talent whose wide variety of media including sculpture, print, performance art, and music explores the power of language and the mystical nature of the psyche.
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