Delivering what the New York Times deemed "the subliminal potency of music, the head-scratching surprise of a modernist poem, and the cockeyed allure of a surrealist painting," Tony-nominated playwright Sarah Ruhl's Eurydice enjoys a November 14 through 23 staging in the Galvin Fine Arts Studio Theatre at St. Ambrose University, the Times adding that the genre-spanning show is a "devastatingly lovely – and just plain devastating – theatrical gloss on the Orpheus myth."

One of the most venerable and beloved stage musicals of all time, The Sound of Music closes Quad City Music Guild's 2025 season with a November 14 through 23 run at Moline's Prospect Park Auditorium, the show adored by all generations for its rich characters, beautiful celebration of family, and unforgettable Rodgers & Hammerstein score boasting such iconic songs as “My Favorite Things,” “Sixteen Going on Seventeen,” “Climb Ev'ry Mountain,” “Edleweiss,” and the unforgettable title tune.

A collection of 10 death-affirming plays, sketches, and monologues that includes Silence, which the Miami Herald called “deeply moving,” author Henry Meyerson's Proceed to Checkout serves as the 2025-26 season-opening production at Bettendorf's Scott Community College's, the show's November 20 through 23 run also treating attendees to the short work Pop Goes the Weasel, which NYTheatre hailed as “a sharp, very original piece."

A legendary mystery thriller that stands as the longest-running West End show of all time, the play having reached its 30,000th performance this past March, Agatha Christie's timeless classic The Mousetrap opens Augustana College's 2025-26 mainstage theatre season with its November 13 through 16 run, The Times calling the show "elaborately skillful" and The Daily Express praising its "atmosphere of shuddering suspense."

Hailed by the New York Times as "a clever, crowd-pleasing holiday comedy" and by DC Metro Arts as "an entertaining new play filled with thrills, chills, and laughs," author Mark Shanahan's mystery-comedy mash-up A Sherlock Carol makes its area debut at Geneseo's Richmond Hill Barn Theatre November 13 through 23, TheatreMania adding to the raves by calling the show "joyful, playful, and clever – and that joy transfers to the audience."

A legendary holiday-film perennial and thrilling song-and-dance showcase for Bing Crosby and Danny Kaye will be brought to theatrical life when Rock Island's Circa '21 Dinner Playhouse presents the eagerly awaited return of Irving Berlin's White Christmas, its November 5 through December 28 run treating audiences to a Tony-nominated treat featuring timeless Berlin hits in “Blue Skies,” “Happy Holiday,” “Let Me Sing and I'm Happy,” and “I've Got My Love to Keep Me Warm.”

The funny, moving, and profound stage version of one of literature's all-time classics enjoys a November 6 through 9 run at the University of Dubuque's Heritage Center when the Department of Fine and Performing Arts presents Of Mice & Men, John Steinbeck's adaptation of his revered 1937 novel included as one of Amazon's list of “The 100 Greatest Books Ever Written.”

A 2025 Tony Award winner hailed by the New York Times as "the perfect play for our age of disagreement," Jonathan Specter's hilarious, biting comedy Eureka Day enjoys an October 24 through November 9 run at Iowa City's Riverside Theatre, the work also lauded by The New Yorker as "so brilliantly yoked to the current American moment – its flighty politics, its deadly folly – that it makes you want to jump out of your skin."

Reviews by Rochelle Arnold, Jeff Ashcraft, Patricia Baugh-Riechers, Audra Beals, Pamela Briggs, Dee Canfield, Madeline Dudziak, Kim Eastland, Emily Heninger, Heather Herkelman, Kitty (née Israel) Hooker, Mischa Hooker, Paula Jolly, Victoria Navarro, Roger Pavey Jr., Alexander Richardson, Mark Ruebling, Mike Schulz, Joy Thompson, Oz Torres, Brent Tubbs, Jill Pearson Walsh, and Thom White.

Mischa: The first thing we should note is that this production was forced by last-minute illness to shuffle some roles around mere days ahead of opening night, so the show could go on.

Kitty: Because of the last-minute casting adjustment, both actresses (understandably) had scripts in hand. But they were very natural in their deliveries and clearly familiar enough with the lines to be at least partly off-book, which is impressive.

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