Seeing and hearing Countryside Community Theatre's production of Hairspray has nearly stolen my words from me.

Alexander Richardson calls this "a love letter to community theatre," and if you've ever been in a show, played on a team, had a job, been part of a family, or met at least one other person in your life, you may recognize at least some of these situations.

If you don't think opera can be frivolous and fun, Opera Quad Cities will prove otherwise, with a big dollop of flair and abundant thrills for the ear and eye.

For Oedipus Rex, veteran director and actor Michael Callahan was wise to choose a translation by Ian Johnston, written in contemporary English, rather than an archaic version (i.e., one employing 17th-century "thou"s). We're also spared a script written in verse, as continued rhymes might've become irritating in a stage work lasting this long.