Background characters essayed by day players. Casts of thousands. Movies are crawlin’ with ’em. Nobody much cared about the usually unnamed souls who were rarely part of the plot, and they still don’t. But Puffs, a boy-wizard spoof subtitled Seven Increasingly Eventful Years at a Certain School of Magic & Magic, shines a spotlight on them (without casting “lumos,” because that’s a proprietary spell).

Director Pam Cantrell, her cast, and her crew served this entertaining concoction (yes, there are funny bits) with seven of Poe’s stories as ingredients.

Director Michael Callahan is credited as writer, but as he explained before Saturday’s opening performance, the script evolved with a workshop-style model, with the whole cast participating in the writing. That’s likely why this production is one of the funniest season-enders I’ve seen.

Though the show is billed as a comedy, I only laughed a few times. I was much more invested in its dramatic scenes.

While many children attended on opening night, I hardly heard a peep from them during the show – it was the over-25 crowd who were clapping and screaming upon each first entrance of these beloved characters from the underwater city of Bikini Bottom.

Before Friday night at Eldridge's North Scott High School Fine Arts Auditorium, I hadn’t seen Guys & Dolls. Go on and clutch those poils, doll. I do not know the show. So sue me. But I had a swell time. In spades!

Seussical, now playing at Omar – I mean, the Clinton Area Showboat Theatre – features an exuberant mash-up of plots from about a third of Theodor Seuss Geisel’s lifetime output of 60-plus children’s books. (And yeah, there were more Dr. Seuss books after he died. Peculiar thing, that.)

Magic is on display in Quad City Music Guild's and director Kathryn Weber's current, spirited presentation of 1776, its music direction by Claire Schaecher and choreography by Beth Marsoun. (And I hear the intermission hot dogs are terrific.)

Adam Sanders' production has some of the most intricate, varied, prolonged, high-density, high-energy choreography I’ve yet seen.

The perfectly suited look and demeanor of each person, and their consistent Southern lilts throughout, made this experience particularly magical.

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