I saw Playcrafters' A Raisin in the Sun on Saturday, and am happy to say that director Gaye Shannon Burnett's production does full justice to this gem.

I enjoy seeing a beloved musical that's so well-known I could easily sing along (though I never would). It's also fun seeing familiar faces and saying, "Hey, I know her!" "I acted with him!" Countryside Community Theatre's Joseph & the Amazing Technicolor Dreamcoat is that kind of show. It's both a classic and a family affair, as many summer productions with this company are.

Romeo & Juliet is one of William Shakespeare's best-known plays – "most often heard of," I mean, because many don't actually know it.

After a rough few weeks, I wanted a diversion. So even though I hadn't read the Natalie Babbitt novel on which it's based, I was happy to attend Thursday's final dress and tech rehearsal for Tuck Everlasting at the Spotlight Theatre. I left feeling both impressed and refreshed.

Knowing the Peanuts characters' backgrounds, and aspects of the comics and the animated specials, will boost your enjoyment, but it's an amazing, worthwhile experience either way.

In November, I saw the original play "Jacques"alope by the Haus of Ruckus team of TJ Green and Calvin Vo at the Mockingbird on Main. It was a lively, uproarious quest story. Imagine my delight when I learned that it had gotten a baby brother!

Director Shelley Cooper, vocal-music director Maureen Holmes, and instrumental-music director Michelle Crouch led the performers, crew, and staff in Augustana's The Threepenny Opera, and I was confident that the theatre and music departments here could pull the show off beautifully. They did, with energy, enthusiasm, and so much talent. The expressive actors here are skilled beyond their years.

You've got playwright Ira Levin, and you've got the Black Box Theatre's talented staff and crew, so with Veronica's Room, you're already pretty much guaranteed a satisfying experience. But with the gifted cast Lora Adams has assembled, it's actually an outstanding one.

The Spotlight Theatre's Peter & the Starcatcher, directed by Whitney Fahner with music direction by Katie Griswold, is yet another of the venue's slick and stylish productions of a lively libretto, this one loaded with big on- and off-stage talent and clever staging.

What a treat it was to enjoy this fresh story, with rousing music, performed by some of the most passionate, committed actors I've recently seen – and to know that it was powered by local minds and hearts. So much work went into this treasure.

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