Haus of Ruckus – the theatrical team headed by artistic directors T Green and Calvin Vo – is making some welcome noise onstage again.

In its five years in existence, the Black Box Theatre has gained a reputation for eclectic script choices and high production values with stellar performers. Its current offering, Motherhood: The Musical, is a fine continuation of that tradition.

For Augustana College's first show of its 2022-23 season, director and professor of theatre arts Jeff Coussens, his skilled cast, and creative staff have taken on Tartuffe – and have triumphed.

Geneseo's Richmond Hill Barn Theatre is currently presenting Vintage Hitchcock: A Live Radio Play, adapted by Joe Landry – another production canceled due to COVID, then rescheduled, with most of the original cast intact. It's a tasty helping of suspense and murder, with a sprinkling of humor.

Veteran venue director M. Seth Reines, accomplished music director Ron May, and the supremely talented cast and on-point crew are dedicated professionals. Unfortunately, the quality of Clue: The Musical's material did not approach the level of their talents.

Often, mass tragedies are best understood not through bare statistics, but through personal stories of those affected. My Brother's Gift, a play by Claudia Haas based on the real experiences of survivor Eva Geiringer Schloss, tells one of these stories. I saw it on Saturday at the Black Box Theatre, and director, designer, and Black Box co-founder Lora Adams and her cast and crew have put together a spare, straightforward production that serves both as a remembrance and a call to action.

A heckuva lot of talented people put this production together; see it now, while the duck's still in the pond.

Disaster!, created by Seth Rudethsky, written by Rudethsky and Jack Plotnick, and now at the Circa '21 Dinner Playhouse, combines classic catastrophic-cinema elements with '70s pop tunes, and director/choreographer Amy McCleary, music director Ron May, and all involved came together to create this silly, music-filled diversion.

I saw Playcrafters' A Raisin in the Sun on Saturday, and am happy to say that director Gaye Shannon Burnett's production does full justice to this gem.

I enjoy seeing a beloved musical that's so well-known I could easily sing along (though I never would). It's also fun seeing familiar faces and saying, "Hey, I know her!" "I acted with him!" Countryside Community Theatre's Joseph & the Amazing Technicolor Dreamcoat is that kind of show. It's both a classic and a family affair, as many summer productions with this company are.

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