For Oedipus Rex, veteran director and actor Michael Callahan was wise to choose a translation by Ian Johnston, written in contemporary English, rather than an archaic version (i.e., one employing 17th-century "thou"s). We're also spared a script written in verse, as continued rhymes might've become irritating in a stage work lasting this long.

In Steel Magnolias, first-time director and backstage veteran Megan McConville has assembled an able cast and crew, and created an eye-pleasing, engaging experience with fine production values.

The final production of Augustana College's 2024-25 season is David Auburn's Proof, directed by Jennifer Popple, the college's assistant professor of theatre arts, and this professional-caliber production both impressed and moved me. It's sometimes disturbing, sometimes funny, and although heartbreaking, still left me hopeful.

To my joy, Girls' Weekend, now making its area debut at the Playcrafters Barn Theatre, is delightful. I laughed more than I have in a year of theatre.

Has it really been only three-and-a-half years since they won my heart with their first production "Jacques"alope? (Answer: Yes.) The founders of this comedic theatrical ensemble, T Green and Calvin Vo, are serving their latest smörgåsbord – Zooted Suits, a merrie medley of classic-cartoon parodies – at the Black Box Theatre. I'm ready! I'm ready! I'm ready!

Titanic received five 1997 Tony Awards including Best Musical, Book, and Score, and Spotlight director Noah Hill and musical director Amy Trimble had a boatload of logistics, decisions, and inspirations to sort out. Their staging of this intricate, visually stunning spectacle is exemplary.

The Prom, currently running at Augustana College, is a happy, even joyous musical, even though its ripped-from-the-headlines premise is an utter disheartening downer.

I urge you to get tickets now for director Jeremy Littlejohn's sometimes-unsettling, often-comedic, always-fascinating production featuring three superb, accomplished actors.

Despite this production being an excellent exhibition of both stagecraft and acting skills, Baskerville's comedy devolution did not grab me personally – though some audience members at Thursday's preview performance cheered.

If anyone can parody a parody -- along with its early roots, its subsequent wannabes, plus a bunch of random stuff -- it's Calvin Vo and T Green, founders of the theatrical troupe Haus of Ruckus, and their posse of benign troublemakers. They do so spectacularly in Dojo to Go, now running at St. Ambrose University's Studio Theatre, written by the prodigious pair and directed by Vo.

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