Before Friday night at Eldridge's North Scott High School Fine Arts Auditorium, I hadn’t seen Guys & Dolls. Go on and clutch those poils, doll. I do not know the show. So sue me. But I had a swell time. In spades!

Seussical, now playing at Omar – I mean, the Clinton Area Showboat Theatre – features an exuberant mash-up of plots from about a third of Theodor Seuss Geisel’s lifetime output of 60-plus children’s books. (And yeah, there were more Dr. Seuss books after he died. Peculiar thing, that.)

Magic is on display in Quad City Music Guild's and director Kathryn Weber's current, spirited presentation of 1776, its music direction by Claire Schaecher and choreography by Beth Marsoun. (And I hear the intermission hot dogs are terrific.)

Adam Sanders' production has some of the most intricate, varied, prolonged, high-density, high-energy choreography I’ve yet seen.

The perfectly suited look and demeanor of each person, and their consistent Southern lilts throughout, made this experience particularly magical.

I enjoy experiencing new-to-me talent, but it’s cozy and comforting to see familiar faces at the theatre.

You should see the groundbreaking comedy classic The Skin of Our Teeth at Augustana College. I’ll explain why in a moment, while also trying not to ruin your experience with too many details. But just by reviewing director Jeff Coussens' perfectly cast production, I will be spoiling it a bit.

A Year with Frog & Toad is overflowing with cheer and color, boasts splendid production values and an energetic cast, and I declare it delightful for all ages.

Director Luke Vermeire and assistant director Adrienne Evans, both accomplished actors as well as auteurs, have assembled a wide array of exceptional talent to create this sleek production. But don’t come expecting to leave your troubles outside, as Cabaret’s Emcee urges.

Augustana College's production of Company is expansive, lively, and musically superb.

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