It was thrilling to walk into the Playcrafters Barn Theatre on Saturday and see a large crowd for Neil Simon's The Odd Couple, as about four-fifths of the seats were occupied. And director Teresa Moore, along with her staff, crew, and cast, put together a smooth-running, well-paced, lively, and all-around-enjoyable production.

Frankly, I was feeling a bit smug when I entered the Spotlight Theatre on Saturday night. Like many, I've seen The Sound of Music onstage, and the film several times. I know how the scripts and songs differ, and what to expect. Yet this production still astounded me: It's a grand, rich experience.

Every Christmas Story Ever Told (and then some) is a 2007 comedy by John K. Alvarez, Michael Carleton, and James FitzGerald, I saw it at the Richmond Hill Barn Theatre on Thursday's opening night, and it stars Jonathan Grafft as Jonathan, Nathan Johnson as Nathan, and Mike Kelly as Mike. These could be the parts they were born to play.

With this version of the Seussical script, director/choreographer Ashley Becher, musical director Shelley Walljasper, and their cast and crew have concocted an entertaining, gratifying experience.

I fell hard in love with playwright Qui Nguyen's She Kills Monsters the first time I saw it at the Playcrafters Barn Theatre in the summer of 2019. We trysted again that fall at Augustana College. I was consequently happy, on Saturday, to enjoy a new rendezvous at St. Ambrose University. Director Daniel Rairdin-Hale and the show's staff, crew, and cast have assembled a singularly beautiful, big-scale-impressive production of Nguyen's play.

New venue: the Mockingbird on Main. New endeavor: Calvin Vo's and T.J. Green's Haus of Ruckus. New play: "Jacques"alope. But new actors? Happily, no. I don't mean that they're old – they're experienced, and delightful to watch.

Having just enjoyed a summer refreshingly filled with small-cast productions, I've rarely seen more than a handful of folks gathered together onstage this year. Yet somehow, Company director, lighting and set designer, and venue co-founder David M. Miller – along with choreographer Beth Marsoun – accommodated 14 people on that compact playing area without anyone looking constricted.

Having seen Saturday's production of Six Dance Lessons in Six Weeks, I'd argue that director Jennifer Kingry could not have chosen a more dynamic duo to perform this work than Stephanie Naab and Adam Cerny.

You don't need to know anything about Patsy Cline, one of the all-time queens of country music, to love A Closer Walk with Patsy Cline.

If you know this musical's title, and have seen any ad artwork, you already know that the show involves a very bad sentient plant. So I'll now reveal that it grows, as plants do. Except real big. And it's a carnivore. And it keeps wanting heftier portions of meat.

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