The Timber Lake Playhouse tries something new with its world-premiere musical Glü. Directed by Tommy Ranieri, and with a book and lyrics by Jake Lockwood and music and lyrics by Alexander Sage Oyen, this heartwarming tale gives audiences a chance to see something local, and possibly even familiar.

Quad City Music Guild’s summer season winds down with one of the big American musicals: Gypsy, directed here by Troy Stark, and featuring a score by Jule Styne, book by Arthur Laurents, and lyrics by an early-career Stephen Sondheim. And while there were a few rough spots during Friday’s opening-night performance, there’s still plenty to enjoy and Guild does a fine job of putting this classic piece on its feet.

The Clinton Area Showboat Theatre closes out its 2025 season with a gorgeously sung tribute in director Amy Fritsche's Almost Heaven: The Songs of John Denver. What this revue by Harold Thau (who's credited for its “original concept”) is lacking in heart is more than made up by the live music played by the onstage actors, all of whom make Denver’s music ring.

A lot of the action follows Aristophanes' original text. The rest is decidedly in the style of Calvin Vo and Tee Green.

The Timber Lake Playhouse continues its hot streak with Waitress, directed and choreographed by Jennifer Hemphill. A crowd-pleaser through and through, with a charming book that's further buoyed by a wonderfully diverse cast of performers, this production is a saccharine slice of heaven.

I now know how the Grinch felt when his heart grew three sizes, because I surprisingly, actually, thoroughly enjoyed the Clinton Area Showboat Theatre's and director/choreographer Jenna Schoppe’s production of Joseph & the Amazing Technicolor Dreamcoat. Which will be a shock to anyone who knows me, because they also know how much I hate(d) Joseph. But Clinton’s latest has made me a believer.

If it’s got over-ze-top German accents, banging rock music, and more questionable wigs than you can shake a Spirit Halloween store at, it must be Rock of Ages, now playing at the Timber Lake Playhouse. Directed with aplomb by James Beaudry, Timber Lake’s latest takes us back to a yester-decade when rock music was the culture and not something confined to specific frequencies of FM radio.

It must be summer again, because on Friday night, I found myself on my annual pilgrimage north through hordes of mayflies to attend the start of the new Timber Lake Playhouse season. Critiquing shows is always a bit of a dice roll: Will it be moving or boring? Director Tommy Ranieri's Saturday Night Fever is more of the former, and an extraordinary start to the summer-stock season.

Both the year and the theatrical season are winding down for a long winter’s nap, and the Timber Lake Playhouse’s final production of 2024 could not offer a more pleasant nightcap. Directed and choreographed by Marquez Stewart, and featuring some surprisingly effective audience participation, Winter Wonderettes is a wonderful dose of theatre to fully get you in the spirit of the season.

Shakespeare is the staple of theatre and has been for centuries. Augustana College’s latest production, The Comedy of Errors, presents one of the Bard’s more oft-told tales: that of two twins with identical names who get into increasingly absurd situations. Directed with aplomb by Jeff Coussens, this is a classic story for fans of laughter.

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