Nominated for five 2001 Tony Awards and currently the ninth-longest-running Broadway production in history, the internationally beloved musical Mamma Mia! enjoys its first extended Quad Cities run at the Circa '21 Dinner Playhouse July 18 through September 15, the show's collection of timeless tunes from the Swedish pop group ABBA leading the New York Post to call the experience “one of those nights when you sit back and let a nutty kind of joy just sweep over you.”

If you’ve never been privy to the theatre-audition process, you may not realize how intense and cut-throat an experience it can be, and as A Chorus Line – currently being presented at Quad City Music Guild’s Prospect Park Auditorium – teaches us, it’s not always about how talented you are; sometimes it’s merely who you know. But while that bias can be an unfortunate reality, Music Guild’s vast display of on-stage talent dazzles you into momentarily forgetting the injustice.

What are guys supposed to do when they lose their jobs because the local mill is closing? It’s bad enough to be unemployed, but with nothing on the horizon except low-level work, a man can feel like he's nothing but an emasculated scrap of crap. If you're unlucky enough to be one of a ragtag group of jobless and desperate dudes, you do the obvious … and become a male stripper.

Recently making the top five of the New York Times' list of “25 Best American Plays Since Angels in America,” author Bruce Norris' acclaimed comedic drama Clybourne Park will be staged at the Playcrafters Barn Theatre July 13 through 22, the Tony Award and Pulitzer Prize winner described by the Hollywood Reporter as “provactive entertainment that generates as much uneasiness as laughter.”

Reviewing Tennessee Williams' The Glass Menagerie in the New York Times, Ben Brantley asked,“How can something be this delicate and this strong, so elusive and yet so tenacious?” Those qualities will all be in force when the Mississippi Bend Players stage this enduring, Tony Award-winning classic at Augustana College, its July 13 through 22 run demonstrating why the Times called it “a perfect play.”

Continuing its 50th-anniversary season of audience-favorite revivals, Geneseo's Richmond Barn Theatre will present, from July 12 through 22, author Jack Popplewell's mystery-comedy Busybody with Jackie Skiles returning to her beloved 2009 role as Cockney housekeeper Lily, a turn that inspired the River Cities' Reader to rave, “Beyond the beauty of her timing, everything about the actress' portrayal is right on the money.”

One of William Shakespeare's most famous, powerful, and controversial comedies will be staged in Rock Island's Lincoln Park July 14 through 22, as Genesius Guild takes on the Bard's The Merchant of Venice, a legendary work that has inspired numerous film adaptations and three stage operas, with its 1989 Broadway revival earning a Tony Award nomination for star Dustin Hoffman.

It was a sweltering-hot day this past Saturday in the Quad Cities, but it was quite refreshing being under the sea with the cast of Disney’s The Little Mermaid at the Clinton Area Showboat Theatre. As I sat back in my seat enjoying the music, I heard the precious young girl seated behind me sweetly singing along with the teenage mermaid Ariel (Aria Braswell) in a very soft voice. I realized then how powerful and influential this musical fantasy was, and still is, for children everywhere.

Heat-advisory warning notwithstanding, Genesius Guild's staging of Prometheus Bound in Rock Island’s Lincoln Park was an experience not to be missed. As with most Greek tragedies, there is a moral dilemma that can give audiences insight into their lives, and director Michael Callahan staged a meaningful production that remains relevant 2,500 years after it was was written. (Who would have guessed we’d still be battling tyrants?)

Winner of nine Tony Awards, and the rare musical to also win the Pulitzer Prize for Drama, Broadway's legendary A Chorus Line will enjoy its first-ever Quad City Music Guild presentation July 6 through 15, demonstrating why the 1976 New York production ran a staggering 6,137 performances, and why the New York Times called its debut “a smoke signal to the world that the musical can touch unexpected depths in the human heart.”

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