Based on the beloved Natalie Babbitt novel that has sold more than five million copies and is widely considered a classic of modern children's literature, the Broadway adaptation of Tuck Everlasting makes its area debut at Moline's Spotlight Theatre June 3 through 12, this Tony Award-nominated family treat lauded by the New York Times as "a warm-spirited and piercingly touching musical."

With Broadway World describing the dark comedy as "a wicked satire that is so much more than just a tearing-down of cultural icons," author Bert V. Royal's Dog Sees God enjoys a June 3 through 12 run at Moline's Playcrafters Barn Theatre, this Barn Owl Series presentation having inspired The Toronto Star to rave, "What seems to be a comedic deconstruction of the famous Peanuts cartoon characters turns out to be one of the most interesting and moving plays I've seen this year."

Haus of Ruckus fans will be delighted to learn that Green's and Vo's signature nuttiness will remain intact. There will be puns. There will be puppets. This time, however, there will be twice as many of them.

Praised by the Bangor News as “a smashing hit” and “a rib-tickler if ever I saw one,” the farcical comedy Here Lie Jeremy Troy enjoys a June 2 through 12 run at Geneseo's Richmond Hill Barn Theatre, its playwright Jack Sharkey also the author of such recent venue hits as Missing Link, I Take This Man, and 100 Lunches: A Gourmet Comedy.

Praised by Variety magazine for its “charming score that suits the quirky material” and Time Out NY for its “expertly constructed and emotionally satisfying tale of self-liberation in the face of limited options,” the Broadway sensation Waitress brings its national tour to Davenport's Adler Theatre on June 1, serving up an evening of comedy, drama, romance, and Sara Bareilles compositions that made NBC New York rave, “It's easy as pie to fall for Waitress.”

Playcrafters has staged a true, old-fashioned whodunit in A Murder Is Announced, and while there were a few things I figured out as the night went on, there were also plenty of things I didn’t.

Director Shelley Cooper, vocal-music director Maureen Holmes, and instrumental-music director Michelle Crouch led the performers, crew, and staff in Augustana's The Threepenny Opera, and I was confident that the theatre and music departments here could pull the show off beautifully. They did, with energy, enthusiasm, and so much talent. The expressive actors here are skilled beyond their years.

One of the most cherished animated musicals of all time will roar with glorious theatrical life when the enchanted tale of Disney's Beauty & the Beast enjoys a May 20 through July 16 run at Rock Island's Circa '21 Dinner Playhouse, the Tony Award-winning smash reuniting family audiences with beloved characters and songs in a show Variety magazine praised as an “opulent stage musical” boasting “fantastic production values and a memorable score.”

Many Ambrosian theatre students’ stories have been guided by Cory Johnson and Kris Eitrheim, which makes it almost fitting that a literary classic marks the duo’s final on-stage chapter at St. Ambrose University (SAU). Little Women: The Musical, Louisa May Alcott’s story as adapted for the stage with a book by Allan Knee, music by Jason Howland, and lyrics by Mindi Dickstein, is not some big and splashy farewell. Rather, this is an extremely well-thought-out presentation showcasing the formidable Johnson/Eitrheim talents one last time before their retirements.

Lauded by Broadway World as a production that “will delight fans of Christie's mysteries” and “keeps the audiences guessing as to who the murderer is right up until the very end,” author Leslie Darbon's Agatha Christie A Murder Is Announced enjoys a May 6 through 15 run at Moline's Playcrafters Barn Theatre, this tale of twists and turns, mistaken identities, and purposeful deceptions featuring one of Christie's most beloved characters in the figure of amateur sleuth Miss Jane Marple.