It felt almost like kismet that The Charitable Sisterhood of the Second Trinity Victory Church unfolded during a wild storm that washed out a bridge and stranded its ladies at the church, because the chaos outside mirrored what was happening on stage.

What do you get when four young adults’ lives are entangled with one another, yet the full picture doesn’t come into focus until the final moments? You get word play, written by fellow Reader reviewer Alexander Richardson: a tightly woven one-act that asks its audience to lean in, listen closely, and trust the unraveling.

Harry and Marv. The Grinch. Mr. Potter. Hans Gruber. All of the other reindeer. There is no shortage of Christmas villains, and most are memorable. Yet after seeing Friday’s performance of Santa Claus: The Musical at the Circa '21 Dinner Playhouse, I’m ready to add the name Henchy to the list.

It’s a long-running joke at our house that I get Irving Berlin’s Christmas-y shows confused, as both feature his music and plots about saving a small-town lodging facility from financial dire straits. So to be clear: The Circa '21 Dinner Playhouse is not currently staging Irving Berlin's Holiday Inn, but rather Irving Berlin’s White Christmas, directed and choreographed by Ashley Becher. And if you’re in the mood for a little holiday fun, you will not be disappointed.