Let it be known: My family and I are exactly the intended audience for the Timber Lake Playhouse’s current production of Disney's Frozen. We love the material. We love theatre. So in the words of everyone’s favorite animated snowman Olaf, “Put ‘em together, it just makes sense.” The good news? If you’re also a fan, chances are you’ll feel the same way about this particular production.

True to Steve Martin’s storytelling sensibility, Bright Star is full of heart, laced with tragedy, and balanced by moments of laugh-out-loud humor. Oh, and there’s plenty of banjo.

I’ve never been disappointed to spend a Sunday in the park with Shakespeare, though I am grateful that, this past Sunday night, the weather was fairly mild for July. I admit to being only vaguely familiar with Antony & Cleopatra before the evening commenced, but I was not fully anticipating the story to be as epic as it was in director Alaina Pascarella’s production.

They're creepy and they’re kooky, but I must tell you: For a musical comedy about a clan that generally lacks enthusiasm for anything other than the macabre, the Clinton Area Showboat Theatre's The Addams Family was truly a high-energy showcase of talent and spectacle. Director Courtney Ryan Crouse, who's also the company's artistic director, brought the ghoulish tale to light in a way that was hysterically heartwarming.

It’s really a shame there are only six performances left of Arthur & Friends Make a Musical!, because truly, the Circa '21 Dinner Playhouse's latest family entertainment was a fun show full of surprises and little touches that make the hour fly by. From the cast taking over the pre-show announcements to dancing off stage to a certain theme song, director Kiera Lynn’s small-but-mighty cast packs a big, big punch.

Featuring only two actors, Marry Me a Little involves The Boy (Thayne Lamb) and The Girl (Sydney Crumbleholme) – upstairs/downstairs apartment neighbors in New York City – and this piece, with no spoken dialogue, is told only through numbers boasting music and lyrics by Stephen Sondheim. Yet even with the songs, the show felt disjointed, and I never truly understood what creators Craig Lucas and Norman René wanted us to take from this collection.

Given that the new Pope hails from Chicago, it’s likely you’ve heard an uptick of talk of that town in the last week or so. But let me tell you: There’s another Chicago you ought to be talking about, because the current production running at the Circa '21 Dinner Playhouse, directed and choreographed by Ashley Becher, is a visual spectacular and features, I wager, some of the best dancing I’ve ever seen on that stage.

Defined as a comedic work that employs buffoonery and horseplay, farce typically includes crude characterization and ludicrously improbable situations. And on opening night, director Elizabeth Shaffer hit the nail on the head, because her production isn’t trying to be anything else.

Based on the kids’ picture book written by Melinda Long and illustrated by David Shannon, this upbeat little musical will leave you practicing your pirate vernacul-arrr and perhaps even wishing to sail the seven seas in pursuit of doubloons.

The art-deco ties for the gentlemen and lovely dresses on the ladies made the whole evening feel like a true blast from the past.

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