Friday night’s production at the Mockingbird on Main started with a moment of silence for Broadway’s legendary composer/lyricist Stephen Sondheim, who passed away earlier that day. Yet while I’m sure a similar moment was shared across any number of theatres around the globe, what happened afterward was a once-in-a-lifetime experience.

Make no mistake: Augustana College’s Macbeth doesn’t even try to skirt around the fact that it’s a tragedy. In fact, director Jennifer Popple’s production begins with a funeral. It’s an artistic funeral, certainly, in that it’s set to modern-dance movements (care of movement director Shelley Cooper), but this Scottish play is well prepared to heighten reality while remaining heartfelt in the midst of tragedy.

I love playing board games. I also love a good night at the theatre, which made Saturday night’s production of Clue: On Stage the perfect combination to bring a smile to my face. Luckily, director Dana Skiles’ Richmond Hill Barn Theatre production lived up to my expectations and provided the anticipated zany and farcical evening.

It was a fast-paced, immersive night of theatre on Saturday during the Mockingbird on Main’s production of An Enemy of the People.

Spending Friday night at the Black Box Theatre was like joining a master class in manipulation with the venue's latest production Murder in Green Meadows. While I wish director Jacqueline Isaacson had been slightly less specific about the number of gunshots in the production during her pre-show announcement, as it became a bit of a spoiler as the night progressed, the evening overall was enjoyable.

Any time you have the chance to catch a brand-new script in performance, it’s bound to be interesting. Local playwright Jim Sederquist kicked us back to 2013 with his new dramedy The Whistleblower’s Dilemma, and, under the direction of Mike Turczynski, Saturday’s presentation at the Playcrafters Barn Theatre definitely lived up to “interesting.”

While Friday’s opening night for Countryside Community Theatre’s production of Newsies: The Musical didn’t completely change my mind about the plot points (why is “Santa Fe” now the opening number?!), director/choreographer Ashley Mills Becher’s version packed big punches of fun and personality that made the night undeniably exciting.

This past weekend, in all its masked glory, Genesius Guild’s Hippolytus featured gorgeous face coverings designed by Daitlyn Duffy and fitted by Bob Hanske, and these were certainly not your typical COVID-era face masks, either; they were works of art that amazingly kept mouths uncovered. When paired with Sara Wegner’s absolutely beautiful costumes, I was swept up in the story before anyone said a single word.

Family history can often be synonymous with family drama. And anyone who has ever argued over ownership of a family heirloom with their sibling will probably appreciate the Playcrafters Barn Theatre's current production.

Once Mamma Mia!'s overture started and the curtains opened – my my – it was nothing short of theatre magic.

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