Earlier this week, the Educational Theatre Association released its annual “10 Most-Produced High School Plays” list. She Kills Monsters, by Qui Nguyen, is number seven. And other than having plans to see Tuesday’s dress rehearsal at the Playcrafters Barn Theatre, I honestly hadn’t even heard of the play before – but now, after seeing it, understand why it’s such a popular choice.

Within the first nine minutes of Sara Tubbs’ solo directorial debut of Matilda: The Musical at the Spotlight Theatre, Friday's opening-night audience was clued into two things about the production: (1) The microphones had some issues, and (2) it almost didn’t matter, because of how much passion and energy this cast of 34 brought to the stage.

From Payton Brasher’s brooding Stage Manager soliloquy kicking off the evening to the concluding chase sequence set to music, Genesius Guild’s Ecclesiazusae doesn’t take itself too seriously. And yet this comedic production, originally written by Greek playwright Aristophanes in 391 BC and updated here by Don Wooten, still manages to make a statement appropriate for 2019.

Madness. It was madness how much fun I had at the July 25 preview performance of the interactive mystery comedy Shear Madness at the Circa '21 Dinner Playhouse.

Sure, it’s cliché. But of all the Shakespeare tragedies, Hamlet is my favorite, so I was excited to take in director Alaina Pascarella’s version in Lincoln Park on Saturday night. And Genesius Guild took this classic, trimmed it down, and kept it enjoyable for enthusiastic William Shakespeare fans and newcomers both.

As a rule, I don’t give standing ovations. However, on Friday evening, I gave one of the most honest standing ovations of my life at A Green River, currently running at Augustana College care of the Mississippi Bend Players. Across the board, this show, directed by Philip Wm. McKinley, could have flown across a London sky via umbrella, because it was practically perfect.

Nestled between Lincoln Park’s tall, mature trees, a handful of patrons braved bugs and humidity to settle around the Don Wooten stage for Genesius Guild’s opening night performance of The Bacchae. It’s honestly a shame it wasn’t better attended, because director Patti Flaherty was at the helm of a glorious night of outdoor theatre.

There are two sides to every story. And no matter what you think you know, the Circa '21 Dinner Playhouse’s delightful children’s show The True Story of the Three Little Pigs is here to lay the facts all out for you so you can decide for yourself.

Let’s just go ahead and say it: There was nothing inherently groundbreaking about director Bob Williams’ Beauty & the Beast at Quad City Music Guild. But, in this instance, saying that makes the show an unquestionable success.

During Friday’s opening-night performance, Megan Warren’s voice pierced the darkness to begin the Spotlight Theatre’s production of The Spitfire Grill, her immaculate a cappella vocals grabbing the audience’s attention before the music and lights even dared join her. Before her first song “A Ring Around the Moon” ends, you’ll be entranced by Warren’s depiction of Percy, if not for her plight of starting over after being released from prison. then because the folksy music so perfectly suits her voice.

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