M: No one's here for the story, are they?

K: No, we’re in it for the escapism! And fortunately, that’s exactly what this show is all about.

Kitty: Conceptually, this musical is certainly a challenge. Presenting what is essentially the same material over and over again, but in a way that’s going to be interesting to the audience, is inherently difficult.

Mischa: There are also too many layers of philosophical or ideological meaning added to an essentially frivolous story, as though a light entertainment were trying to turn into Camus’ Myth of Sisyphus.

Kitty: I love this musical. The 1982 movie adaptation was a favorite of mine growing up. But I had forgotten that this show takes place at Christmas! So it’s a nice little holiday treat, as well.

Mischa: True, though you'll most likely leave the theater humming “Tomorrow” or “Hard Knock Life,” not “A New Deal for Christmas.”

K: I immediately thought that the tapes, as a plot device, were inspired by The Handmaid’s Tale. In that book, the heroine’s story is recorded on a series of cassette tapes. But you found a parallel in a different dystopian novel.

M: It reminded me of the mysterious films in Philip K. Dick’s novel The Man in the High Castle. But audience members will just have to see for themselves what the tapes are, and what they mean.