"If you want a golden rule that will fit everything, this is it: Have nothing in your houses you do not know to be useful or believe to be beautiful." This quotation from 1882 by designer and reformer William Morris sums up the underlying philosophy that a master of the Japanese style of pottery imbued his students with in the 1960s and 1970s.
More than 100 artists' works in ceramics, fibers, glass, metals, wood, and mixed media explore the boundaries between art and craft in a massive exhibit at the Davenport Museum of Art. Defining Craft 1: Collecting for the New Millennium is on display through November 3 and has such luminaries in the art world as Gehry, Chihuly, Lichtenstein, Castle Sherman, and Paley.
The Quad Cities' professional ballet company was recently awarded a pair of grants to present programs "exploring the humanistic foundations of dance." Ballet Quad Cities announced that it received an $8,000 grant from Humanities Iowa and $10,000 from the Illinois Humanities Council.
Continuing its tradition of geurilla-style exhibits in non-traditional spaces, the Kanga Arts Cooperative hosted an opening evening of mixed- media art and sounds at the offices and retail location of Gemvision in downtown Davenport last Saturday.
One of the things I enjoy about the shows at the MidCoast Fine Arts Gallery in LeClaire's Iowa Welcome Center is the open comment book. People who wander in off the highway, looking for a place to make a potty stop, can find themselves in an art gallery.
David Campbell's large, realistic sculptures overwhelm a space and demand the viewer's attention, while Marguerite Perret's prints delicately await the audience's close inspection. This contrast makes for an excellent show at MidCoast Gallery West on the corner of Second Avenue and 17th Street, just west of the plaza in downtown Rock Island.
For an online gallery, click here. Meticulous, stubborn, driven, and original are all descriptions that come to mind when considering local artist Pete Schulte, who opened his first New York City exhibition this past Tuesday, July 2nd, at the artist-run 55 Mercer Gallery in the Soho District.
In the current two-person show at Quad City Arts, Mary Cullen Lowman's artist statement describes her philosophy quite well: "Mary's primary interest is life, not still life. She finds that most of her work focuses on living friends - four-legged and two.
The art-glass studio Glass Impact this past weekend opened its new, expanded facility at 1616 2nd Avenue in The District of Rock Island. (The old stomping grounds were across the street at 1611 2nd Avenue.) The new home, which is about three times larger than the previous one, includes a workshop and gallery but also an expanded art and production "hot shop," a supply area, a sandblast room, a "learning lab," and full-service design and restoration service.
Steve Maxon's bronze and aluminum sculptures have a hard edge - pun intended - with a huge dose of humor. The bronze cast and iron piece Gone West, for example, has the upper part of a skull wearing a World War I army helmet that a skeleton hand is tipping to the viewer.

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