Reader issue #687 For Sam Beam, the impressively bearded man behind Iron & Wine, the transition from the spare, intimate folk that made his name in alternative-music circles to playful, lushly fleshed-out songs with an African flair was not something that gave him pause.

"It would just be kind of lame to do the same record over and over again, don't you think?" he said in a phone interview last week. "I can get bored real fast, to be honest."

Weinland For many musicians starting out, a day job is a means to support that which they love.

For Adam Shearer, the singer and songwriter for the Portland-based Weinland, his jobs in the mental-health field served that purpose, but they also held him back.

"When I was working as a mental-health counselor ... I could not write anything," Shearer said. "When you spend the day working with kids that have those experiences ... it would just take everything out of me." It was the type of job that provided a wealth of experiences and stories from which to draw songwriting material, but it was also draining.

Keith LynchThe first thing you're likely to notice about Keith Lynch's voice is that it often sounds like Kurt Cobain's.

Such comparisons are typically lazy and superficial, as this one is. But the Iowa City-based singer/songwriter - who records under the name Unknown Component and will be performing at Mojo's on Thursday - taps into something genuine with that flat whine, and the resemblance is eerie.

DaytrotterThe Daytrotter hive is in the middle of three heavy weeks of recording sessions and shows. We're welcoming to the studio Margot & the Nuclear So & Sos, Miles Benjamin, Centro-matic, The M's, Cryptacize, Ben Sollee, Nik Freitas, Weinland, Snowblink, and Dan Goodman this week. If anyone would like to purchase any wares from these bands - vinyl, T-shirts, etc. - let us know at (daytrotter@gmail.com) and we can try to coordinate this. Helping these bands out any way possible is always appreciated.

The Quad Cities will host the Upper Mississippi River Conference and RiverWay 2008 late this summer. The conference, which will take place August 21 through 23, will include three keynote speakers talking about ways to connect people with the river and how to enhance wildlife habitats. Although the event at the i wireless Center in Moline is geared toward city officials, architects, environmentalists, and teachers, it will provide a variety of activities for the general public. The conference partnered with River Action, which is producing RiverWay 2008, to offer events such as night bike rides, lock and dam tours, and canoing lessons. More information is available at (http://www.riveraction.org). - Marguerite Day

 

Reader issue #686 Cold, gray foundations of concrete divide the land. A fiery red dragon with a stair-step body stands in stark opposition to a carefully delineated landscape. All of this is watched by a prickly caterpillar of light. These strange sights can be seen in a disconcerting tug-of-war that pits crisp, eloquent, and restrained paintings against mixed-media sculptures of whimsy, imprecision, and untamed emotion.

Do Not Use! Copyright law is arcane enough, but a debate bubbling in Congress and among artists, libraries, and museums is important despite its obscurity.

The issue is "orphan works" - writing, photographs, paintings, and music whose copyright-holders are difficult (or impossible) to locate or contact.

Corynne McSherry, staff attorney for the Electronic Frontier Foundation, said the result is that a library or museum will not make the material available to the public because of the potential penalty of statutory damages - which have a ceiling of $150,000 per copyrighted item.

A museum is "worried that it might get sued," McSherry said. "So the material stays locked away."

Martin Dosh Martin Dosh, a frequent collaborator with Andrew Bird and a member of his live band, makes electronic music that doesn't sound the least bit electronic.

Yes, there are recognizable synthesized and loop elements and ambient textures, but with live drumming (instead of a drum machine) and breathing cohorts, it comes off as personal instead of mechanized. Its pulse is certainly stronger than most music of any genre composed to a formula.

"It's still at the base rock and roll," Dosh said last week in a phone interview. "It's not somebody with a laptop on stage ... ."

The Bettendorf Chamber of Commerce and the City of Bettendorf are bringing public art to the downtown corridor. This month, three sculptures will be placed, with an additional three pieces of art scheduled in 2009. The chamber is asking for donations to fund the art project and has raised $2,550 toward the $9,400 goal. A charitable not-for-profit foundation has been set up at the Community Foundation of the Great River Bend. Tax-deductible contributions can be made to Bettendorf Chamber Public Art, 2117 State St., Bettendorf IA 52722.

 

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