For
Sam Beam, the impressively bearded man behind Iron & Wine, the
transition from the spare, intimate folk that made his name in
alternative-music circles to playful, lushly fleshed-out songs with
an African flair was not something that gave him pause.
"It would just be kind of lame to do the same record over and over again, don't you think?" he said in a phone interview last week. "I can get bored real fast, to be honest."
For
many musicians starting out, a day job is a means to support that
which they love.
The first thing you're likely to notice about Keith Lynch's voice is that it often sounds like Kurt Cobain's.
The
Daytrotter hive is in the middle of three heavy weeks of recording
sessions and shows. We're welcoming to the studio Margot & the
Nuclear So & Sos, Miles Benjamin, Centro-matic, The M's,
Cryptacize, Ben Sollee, Nik Freitas, Weinland, Snowblink, and Dan
Goodman this week. If anyone would like to purchase any wares from
these bands - vinyl, T-shirts, etc. - let us know at
(daytrotter@gmail.com) and we can try to coordinate this. Helping
these bands out any way possible is always appreciated.

Copyright
law is arcane enough, but a debate bubbling in Congress and among
artists, libraries, and museums is important despite its obscurity.
Martin
Dosh, a frequent collaborator with Andrew Bird and a member of his
live band, makes electronic music that doesn't sound the least bit
electronic.








