Those Darlins

When Those Darlins play RIBCO on Monday in a Daytrotter.com show, be prepared for things to get a little crazy. And if they don't, expect some good-natured hectoring from the Tennessee-based band.

Nikki Darlin -- they go by that fake family name, even though the three singing and songwriting leaders aren't sisters -- described the scene at a recent Nashville show celebrating the release of the group's self-titled debut:

"Jessi [Those Darlins' guitarist] and I had built a giant chicken piñata that was destroyed during 'The Whole Damn Thing' song. And my friend ... had made me a dress that night, and he ripped it off of me in the middle of the set. So I was playing the rest of the show in my underwear. And then everyone started taking their clothes off and got up on stage. Everyone's spitting beer all over everyone else. People were making out, and it was just fucking awesome."

The piñata, by the way, was filled with feathers.

Umphrey's McGee

Describing Mantis, Umphrey's McGee bassist Ryan Stasik doesn't mince words about the band's ambitions: "This record was like our opus, ... withstanding of time and complex and progressive and still a little heavy with aspects of pop."

It is not a "summer fun" album, he said, and despite the Chicago-based outfit's reputation as a jam band, Mantis is daring, tight, and expertly played.

That's different, however, from saying it's concise or disciplined. "Complex and progressive and still a little heavy with aspects of pop" describes not only the album but pretty much every song.

When the group plays the Capitol Theatre on Thursday, it will be debuting the Mantis material in the Quad Cities - a departure from its typical road-testing of material. Fans of Umphrey's are used to knowing the songs by the time they've been committed to a studio album, but Mantis is different. The group worked on the recording for two years and didn't play the songs in front of an audience until it was released in January.

hangover.jpgYou have to feel a little sorry for the poor bastards of The Hangover. With all the trials they endured, in our Box Office Power Rankings they end up sniffing the ass of an old man. For a month. And when they finally get their shot at Culture Snob glory, Public Enemies sneaks in with numbers that are only across-the-board good ? third place in each of our four categories.

Terry Swails

When the National Weather Service issued a Particularly Dangerous Situation tornado watch on May 25 last year, Terry Swails was in an unusual position: He could chase the storm - and not via a radar from the confines of a television newsroom.

He was in Iowa City that Sunday, coming home from a storm-chasing trip in Kansas during which he saw three tornadoes.

That Sunday storm produced the EF5 tornado that hit Parkersburg, Iowa - the strongest tornado in the state since 1968.

His wife Carolyn dissuaded him from chasing it - she'd had enough of storms - but for the first time in nearly three decades, Swails has been able to indulge his love of weather directly instead of through the technology of a television station. "When the storms came, I had to work," Swails said last week. "I was always inside."

On Monday, Swails returns to the airwaves after an 18-month absence, doing weather on WQAD's 6 p.m. weekday newscasts. It's a part-time gig, meaning that Swails can devote more time to the actual weather and to his Web site.

For WQAD, this is a bold partnership that will almost certainly erode KWQC's local-news dominance and could start a sea change. Channel 8 will allow Swails to directly promote TerrySwails.com on the air, and in exchange it will get the Quad Cities' most recognizable weather personality.

Th' Legendary Shack ShakersIf you want to know what Th' Legendary Shack Shakers sound like, just take a look at some of the band's album titles: Hunkerdown, Cockadoodledon't, Pandelerium, Swampblood. Three recordings compose the "Tentshow Trilogy."

Those all evoke something dirty, humid, hot, rough, rural, fevered, and unwashed -- all valid descriptions of the Shakers, who will be playing an outdoor Independence Day show at RIBCO. This isn't a band that hides behind obscurity; it delivers on the obvious promises of its name and its album titles.

Dan SmithThe Listener engenders confusion.

Is it Listener, or the Listener Project? Yes. But not anymore.

The albums Whispermoon (2003) and Ozark Empire (2005) sure sound like hip-hop, but their creator prefers the term "talk music." "What we do is not hip hop," said Dan Smith, the Arkansas-based performer who is the Listener.

So in advance of the Listener's July 5 show at Fireworks in Moline, let's clear a few things up.

Some people call them "deserters," while others choose the nobler-sounding words "war resisters." The term you use almost certainly betrays how you feel.

But the issue is more complicated than it was 40 years ago. The political climate in Canada has changed since the Vietnam war, and American soldiers who move to Canada today are in legal limbo - and appear increasingly likely to be deported. And with no draft now, those who serve in the United States military volunteered; a decision to renege on that commitment strikes many people as cowardly.

Roy RogersSinger, songwriter, and slide-guitarist Roy Rogers is not a blues purist. He could write a song in the style of Robert Johnson - the reason he became a blues player in the first place - but what would be the point of that?

"I'm just trying to stretch it," he said in a recent phone interview.

So on his new recording Split Decision - his first studio album with his Delta Rhythm Kings trio in seven years - there's the instrumental "Your Sweet Embrace," with a flamenco section by Ottmar Liebert, and "Rite of Passage" has a warm, funky jazz groove before taking a guitar-solo detour into the blues. "Bitter Rain" deals with Hurricane Katrina and has what Rogers called "almost kind of a tempest riff," and closing instrumental "Walkin' the Levee" features sax and a guitar tone simultaneously fuzzy and razor sharp. "River of Tears" is an irresistibly upbeat pop number despite its theme of sadness.

Radoslav LorkovićOn any number of subjects, pianist, accordionist, and organist Radoslav Lorković will preface his response with something along the lines of: "That's a funny story."

When asked about his appearance in the 2009 Naked Folk Calendar, for example, he said that the photo was taken at the Woody Guthrie Folk Festival in 100-degree heat. Lorković was playing the accordion and (of course) naked, and a man roughly 90 years old approached the group and said, "You know, I got some stories about Woody Guthrie," the musician recalled. "He looks at me completely ... unfazed, and keeps on telling this story about Woody Guthrie."

Jesy FortinoWhen Jesy Fortino talks about her experiences with touring -- particularly opening for rock bands -- she sounds self-pitying and ungrateful. Most musicians would kill for her situation.

"The hype around here was pretty cool in Seattle," Fortino said in a phone interview last week. "I just went from starting to play to getting signed to Sub Pop. It was really quick. I hadn't gone through the trial and error of being an unsigned musician."

As Tiny Vipers, she released Hands Across the Void in 2007, and Pitchfork called it "as sobering as folk music gets: patient, resonant, and, perhaps most importantly, curious."

mp3 Tiny Vipers - "Dreamer"

But despite the buzz and early acclaim, touring was torturous. "Nobody [in the crowd] gave a shit," she said. "They're there to see the band that's after me." When she opened for Minus the Bear (again, most emerging artists would be more than envious), "the audiences would mostly just chant 'Minus the Bear' while I was playing. When it first happened, I was totally devastated. I really internalized it. ...

"I got really lame and kind of selfish in my own negativity," she continued.

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