Still brutal - and baked - after all these years, the Melvins are back this coming Tuesday with Houdini Live 2005: A Live History of Gluttony & Lust, a live opus that squeals and cascades the sickest guitar tones in memory.

• This Tuesday the Fuel 2000 label issues a savory new retrospective of Bill Laswell's Material collective, one of the 1980s' most intriguing hybrids of avant-funk and jazz. The 13-track CD, simply titled The Best of Material, documents when participants such as Sonny Sharrock, drummer Fred Maher, Chic's Nile Rodgers, Nona Hendryx, Michael Beinhorn, Fred Frith, and Henry Threadgill floated in and out of Laswell's ever-changing electric goo, massaged by his soon-to-be-legendary dub-production wizardry.

• It's been nine years since the band's last full-length release, but advance word on the upcoming Utah Saints album sounds intriguing, with promises of a variety of guest vocalists - real, sampled, or digitally manipulated.

• Beating the bootleggers to the punch, this Tuesday Pearl Jam unrolls the first batch of concert CDs from the band's recently completed North American tour. This continuation of band-controlled "domestic bootlegs" promises to cover 47 U.

Further proof of our ever-growing litigious society: The original West Coast social-political anarchists, the Dead Kennedys, have stepped into the brown shoes of "the man," as the former members have just succeeded in a long legal attack against founder and new-media icon Jello Biafra for shared ownership of the group's vast archives.

Holiday high jinks! Animal instincts! Christmas camaraderie and much egg-noggery! Take musical arms my friends, and toss those lame superstar Christmas albums to the dustbin! Come with me, and let's dip into Santa's sack a little early this year and get the party started right! I've always thought Christmas was a lot like Elvis, all about love and all about showbiz.

Over the years, certain record labels have captured an iconic image, often unknowingly preserving transcendental moments in time as they document cultural movements on their shiny black albums and CDs. Imprints like The Beatles' boutique Apple label, Greg Ginn's proto-Punk SST in its glory years, Bethlehem and Blue Note's aural and graphic explorations in jazz, Def Jam's beatbox hip-hop gentry, SubPop's grunge chronicles, and Ralph Records' bizarre run of performance art Nu-Wave have all left their impression in modern pop-rock history - rare instances of commerce germinating new sounds and directions in thought, speeding wildly through those hip enough to be there when serendipity strikes the bell.

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