For many, the word “symphony” evokes the names of famed composers such as Brahms, Mahler, and Tchaikovsky, each of whose talents will be duly represented in the springtime repertoire for Quad City Symphony Orchestra (QCSO) musicians.

But if you have young children, it’s entirely possible that the word “symphony,” for them, will soon bring to mind a whole new set of names, among them Mary Poppins, Pocahontas, and Mulan.

Jokingly called “the bedpost,” the bassoon is the most omitted instrument in the classical solo repertoire. But the Quad City Symphony’s March 5 premiere of Jacob Bancks’ Dream Variations was serious musical business – a delightful and diverse 22-minute exploration of all things bassoon that helps fill the void.

Dream Variations for bassoon & orchestra was a plunge into the technical and musical possibilities of a solo instrument seldom heard up-front. But the Adler Theatre concert was also a showcase for local talent. Bancks is an Augustana College faculty member, and his technically acrobatic Dreams was brought to life by Mark Timmerman, the principal bassoonist of the New York Metropolitan Opera but also a Davenport native. And leading a performance that also included Johannes Brahms’ Variations on a Theme by Joseph Haydn and Edward Elgar’s Enigma Variations was Quad City Symphony Associate Conductor Benjamin Klemme, a Pleasant Valley High School graduate making his conducting debut with the orchestra.

Quad Cities musician and engineer Pat Stolley is not a good interview. He’s plain-spoken and blunt, and when asked last week about the origins of Intricate Maps – the new album from his band The Multiple Cat – his answer couldn’t be more ordinary and pragmatic: “I had a band that was doing stuff.”

In the past, the singer/songwriter/guitarist said, he had difficulty keeping a band together, with people moving away or being less than reliable. But following 2013’s The Return of the Multiple Cat, he had a solid ensemble that wanted to keep working. So it was as simple as the confluence of writing songs and having interest from the local label Cartouche Records in putting them out.

Chalk up Stolley’s manner to preferring creation over discussion. Starting with the opening seconds of lead tracks “Maps” and “David,” the record is dense with pop rock that is precise, detailed, and economical but also organically vital and often joyously catchy.

And while the eight tracks that fit that description would be plenty rewarding, the three “Theme”-titled pieces bridge songs and help shape Intricate Maps into a dynamic, breathing album. Listening to the record’s carefully modulated flow, it’s difficult to take Stolley at his word that his limited time dictates that he use just about everything he writes; it’s a triumph of songwriting, instrumentation, and arrangement dovetailing with smart sequencing and evocative connective tissue.

Until very recently, Quad Citians wanting a rodeo experience had no choice but to wait for the i wireless Center’s annual World’s Toughest Rodeo tour. But for the last month, the District of Rock Island has been housing it’s very own, full-time Rodeo – and it’s got the bull to prove it.

“Right now, we rent one for Saturdays,” says booking manager Red Redahan of the mechanical bull at Red Rodeo – the new, Nashville-style nightclub he operates with wife and venue owner Cherie. “But we’re actually going to have our own mechanical bull soon, and he’ll be there every night. And people love it. You land on an air mattress and nobody’s been injured. People just sign their waivers and have a great time.” Red laughs. “And then we throw ’em off.”