One day and less than 60 miles separate local performances by three stellar musical acts - two of them at the pinnacles of their respective genres, and one a genre all to himself. Alt-country royalty Wilco will perform at the Adler Theatre in Davenport on Wednesday, June 13, with minimalist-rock pioneers Low opening, while Richard Thompson will play Iowa City's Englert Theatre the night before.
One
reviewer has called Sky Blue Sky
the best Eagles record the Eagles didn't make, and it's
impossible to shake the timeless soft-rock vibe in the sound, the
vocals, and the easy pace.
The lyrics that open Low's Drums & Guns are as forceful as singer/guitarist Alan Sparhawk is tentative.
An
unscientific survey of River
Cities' Reader employees
revealed that many people have never heard of Richard Thompson.

When
I put the album from the electronic duo EOTO in a CD player at work,
my office mate Mike Schulz asked - after about five seconds of
music - "You're not watching porn, are you?"
You'd
never know it by listening to him, but every time Chris Botti picks
up his instrument, he's wrestling with it.
Most
everybody knows that Blur song
as "Woo Hoo," even though its proper title is "Song 2."
Neither is particularly meaningful.
A
country-music performer's decision to move to Nashville is
typically the product of a dream. For Suzy Bogguss, it was eminently
practical.
The
concept of record-label samplers is to introduce a listener to the sound
and artists that a label offers. But too often, these compilations
are nothing more than a hodge-podge of material tied together by a
company name: Either everything sounds the same, making it difficult
to tell one artist from the next, or the compilation is so disparate
that it's impossible to settle in and sit through all of the songs.







