Back in the day when the vinyl LP ruled the world, one of the greatest thrills a record collector could stumble upon was the odd, privately pressed "bootleg" album - a secret, magical experience in which rabid fans met outlaw commerce, demanding that live concerts and other unsanctioned recordings be set free. Often hit-or-miss in terms of sound quality, one surefire way to pick a winner was to look for those LPs stamped with the image of a portly American Yorkshire hog and the words "Trade Mark of Quality." Bootlegging the bootlegger, Cleopatra Records uses that iconic image and the "swinging pig" logo to grace the cover of its new "underground" three-CD set, This Is Remixed Hits: Mashups & Rare 12-Inch Remixes. Highlights include a Razed in Black remix of Bow Wow Wow's "I Want Candy" that sounds like a Nine Inch Nails outtake, Funkstar De Luxe's thumping reconstruction of Tom Jones' "She's a Lady," and a Sigue Sigue Sputnik remix of Warrant's "Cherry Pie" that sounds like a lost Zodiac Mindwarp session. The set features two more must-hear mashes: the Swing Cats' "surf guitar" remix of Little Richard's "Good Golly Miss Molly" that could make a great game-show theme, and KRS-ONE giving Stephen Pearcy of Ratt a real smackdown in his rock-versus-rap mashup of "Round & Round."
Unshackled by the restraints of traditional CD manufacture and distribution, Yep Roc Records is using the "digital-only" delivery model to release a Halloween-themed compilation for groovy ghouls and boys. Available only as a download through the label's Web site for a budget price, the 15-track Rockin' Bones boasts the exclusive "Ghoulman Confidential" by the Fleshtones, and other tricks and treats from Big Sandy & His Fly-Rite Boys, Robyn Hitchcock, The Minus 5, Radio Birdman, Los Straitjackets, and more.
XTC fanatics, get ready to call in for a little of that sick time, as next Tuesday co-founder Andy Partridge releases a stunning nine-CD box set, Fuzzy Warbles Collector's Album, on his own Ape Records imprint. More than 100 songs are spread over the discs, collecting demos, outtakes, and other odd versions of XTC sessions during the band's Virgin Records years. Crafted to replicate the popular postage-stamp-collecting albums of the 1960s, the box contains an oversized booklet featuring his recording philosophy and session memories and a sheet of collectible faux postage stamps that duplicate each CD's design.






