Images by photographer Chris Jones from Friday's Mudvayne/Black Label Society/Static X concert at the i wireless Center. Click on any photo for a larger version.

Mudvayne

Images by photographer Chris Jones from Thursday's Kenny Loggins concert at the Mississippi Valley Fair. Click on any photo for a larger version.

Images by photographer Chris Jones from Tuesday's Trace Adkins concert at the Mississippi Valley Fair.  Click on any photo for a larger version.

The Reverend Horton Heat. Photo by Drew Reynolds.

As we began a recent phone interview, Jim Heath was filing and dealing with music-publishing paperwork. You can be certain this is nothing that his alter ego, the Reverend Horton Heat, would ever do.

"The reason I joined a band is 'cause I wouldn't have to do this crap," he said. "I end up spending all day filing and talking to accountants."

That's the price of being a successful, long-running purveyor of lighthearted, Texas-scorched rockabilly, nearly impervious to the fickle trends of popular music. Appearing at RIBCO on August 22, the Reverend Horton Heat has a new album - the country-flavored Laughin' & Cryin' with the Reverend Horton Heat - due out September 1, and the band will be celebrating its 25th anniversary in 2010. Heath turned 50 this year, and bassist Jimbo Wallace has been with the group for 20 years.

But Heath would prefer that information not get out. "In the world or rock and roll," he said, "telling people that you've been around a long time isn't necessarily the best thing."

Tripmaster MonkeyJason Parris, the booking agent for the Rock Island Brewing Company, knows there is something special about the local bar. "The room feels and looks like a New York club," said Parris. "You can see the history in the room with all of the black-and-white photos of people who have played here. You can definitely see that it's been around for 30 years."

On July 31 and August 1, RIBCO (at 1815 Second Avenue) will commemorate its 30th anniversary. Bands including Driver of the Year, Cheese Pizza, Jim the Mule, and Keep Off the Grass will perform at the two-night celebration, along with reunion performances by Tripmaster Monkey and Einstein's Sister.

The Afterdarks

The Quad Cities psychobilly trio The Afterdarks wants to make an impression. The weapon of choice is a new 31-track CD - a collection of songs from the group's beginnings in 2003 to now, largely recorded by the current lineup.

There could have been even more. "Thirty-one's all we could fit," said guitarist/singer Jake Cowan, who gave a practical reason for the jam-packed recording: "Rather than take five albums and try to sell them individually, just re-record them, kind of fine-tune them, and put them on one album, and take one album on the road to sell."

The larger aim, said singer and bassist Joe Robertson, is to show record labels and music venues that the band is serious - that it can do more than lay down a handful of demos, that it knows how to pump out product.

Blood Sweat & Gears began as a typical 10- to 13-track full-length but evolved into a summary of the band's existence. The Afterdarks wanted to "draw a line in the sand and say, 'Here's everything up to this point. Now we can move forward,'" Robertson said. "I want to put us on the map. ... I want to actually have record labels take us seriously."

Those Darlins

When Those Darlins play RIBCO on Monday in a Daytrotter.com show, be prepared for things to get a little crazy. And if they don't, expect some good-natured hectoring from the Tennessee-based band.

Nikki Darlin -- they go by that fake family name, even though the three singing and songwriting leaders aren't sisters -- described the scene at a recent Nashville show celebrating the release of the group's self-titled debut:

"Jessi [Those Darlins' guitarist] and I had built a giant chicken piñata that was destroyed during 'The Whole Damn Thing' song. And my friend ... had made me a dress that night, and he ripped it off of me in the middle of the set. So I was playing the rest of the show in my underwear. And then everyone started taking their clothes off and got up on stage. Everyone's spitting beer all over everyone else. People were making out, and it was just fucking awesome."

The piñata, by the way, was filled with feathers.

Images by photographer Chris Jones from Bo Ramsey's performance at the 2009 IH Mississippi Valley Blues Festival Click on any photo for a larger version.

Umphrey's McGee

Describing Mantis, Umphrey's McGee bassist Ryan Stasik doesn't mince words about the band's ambitions: "This record was like our opus, ... withstanding of time and complex and progressive and still a little heavy with aspects of pop."

It is not a "summer fun" album, he said, and despite the Chicago-based outfit's reputation as a jam band, Mantis is daring, tight, and expertly played.

That's different, however, from saying it's concise or disciplined. "Complex and progressive and still a little heavy with aspects of pop" describes not only the album but pretty much every song.

When the group plays the Capitol Theatre on Thursday, it will be debuting the Mantis material in the Quad Cities - a departure from its typical road-testing of material. Fans of Umphrey's are used to knowing the songs by the time they've been committed to a studio album, but Mantis is different. The group worked on the recording for two years and didn't play the songs in front of an audience until it was released in January.

Th' Legendary Shack ShakersIf you want to know what Th' Legendary Shack Shakers sound like, just take a look at some of the band's album titles: Hunkerdown, Cockadoodledon't, Pandelerium, Swampblood. Three recordings compose the "Tentshow Trilogy."

Those all evoke something dirty, humid, hot, rough, rural, fevered, and unwashed -- all valid descriptions of the Shakers, who will be playing an outdoor Independence Day show at RIBCO. This isn't a band that hides behind obscurity; it delivers on the obvious promises of its name and its album titles.

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