Andrew Landers

Andrew Landers' online biography states that the guitarist, singer, and songwriter is "unafraid of complicated topics and looks beyond the easy sentiment."

So the lead track on Beautiful Depravity is titled "Not in My Backyard" and faults folks for keeping a safe distance whenever possible from the horrors of the world: "You might fall into / Someone else's bad day / 'Sorry I can't stay.'" And in the rush of a verse, he sings: "Tell me again / What would Jesus do? / In fact, what will you do?"

It's a risky directness, and the most confrontational track on the whole record. But it's sweet medicine - propulsive, funky folk led by Landers' detailed acoustic guitar and a bright piano - and it's nearly impossible to begrudge the man's preaching. Crucially, the lyrics don't exclude their singer, and in the brief liner notes, Landers writes: "These songs reflect both who I am and what I want to become."

That humility is evident in these 17 songs. On "Lowercase Prophet," for example, the narrator is honest and weary: "Laying here staring at the ceiling / So tired I'm awake / Trying to unravel my latest mistake."

Roman Candle. Photo by David McClister.

Roman Candle has had bad luck following good fortune in the music business, and it's almost certainly more frustrating than just-plain-rotten luck.

What was supposed to be the group's major-label debut, on a Hollywood Records subsidiary, was shelved for nearly three years despite persistent buzz about the band and the record. The long-time-coming album prompted Pitchfork to call Roman Candle "one of the great unsubstantiated rumors of modern pop-rock."

V2 Records eventually bought the masters and put out the CD, The Wee Hours Revue, in 2006. But that label was effectively closed seven months later. It was at that point that the members of Roman Candle had an epiphany.

'Moondances Chapter One'The benefit compilation CD Moondances Chapter One begins with a song Ellis Kell wrote in memory of his daughter, and it ends with one written following his father's death. The second track, "You Can't Hurt Us Anymore" was penned for Sheltering Kevin, a documentary by Carolyn Wettstone about domestic violence.

That suggests a generosity not only of time and art but of spirit. Kell is not merely sharing his talents but also his difficult experiences and his heart. "I've always tried to draw something positive out of when these things happen, whether it was my daughter's passing or my father's passing," he said. "And we share these things with other people."

These United States

There's nothing directly political about Everything Touches Everything, the third album from These United States. But the record could be called the five-piece band's Obama collection, even though you'd be hard-pressed to find more than hints of that in the content.

It's not nearly as precious or knee-jerk as it sounds. It's not a Pollyannaish perspective, and there are no unicorns or rainbows. It's more about a mood.

The questioning refrain of "Night & the Revolution" is tellingly ambiguous -- "How do you think this night is going to conclude?" is paired with "Where do you think this revolution is going to go?" -- and it seems more about a party than partisanship.

But as songwriter/singer/guitarist Jesse Elliott was assembling the record, he decided that its song selection would hinge on the outcome of the election. The album that will be released on September 1 is significantly different from the one that would be released had John McCain won.

Images by photographer Chris Jones from Sunday's Tracy Lawrence concert at the Mississippi Valley Fair. Click on any photo for a larger version.

Images by photographer Chris Jones from Friday's Mudvayne/Black Label Society/Static X concert at the i wireless Center. Click on any photo for a larger version.

Mudvayne

Images by photographer Chris Jones from Thursday's Kenny Loggins concert at the Mississippi Valley Fair. Click on any photo for a larger version.

Images by photographer Chris Jones from Tuesday's Trace Adkins concert at the Mississippi Valley Fair.  Click on any photo for a larger version.

The Reverend Horton Heat. Photo by Drew Reynolds.

As we began a recent phone interview, Jim Heath was filing and dealing with music-publishing paperwork. You can be certain this is nothing that his alter ego, the Reverend Horton Heat, would ever do.

"The reason I joined a band is 'cause I wouldn't have to do this crap," he said. "I end up spending all day filing and talking to accountants."

That's the price of being a successful, long-running purveyor of lighthearted, Texas-scorched rockabilly, nearly impervious to the fickle trends of popular music. Appearing at RIBCO on August 22, the Reverend Horton Heat has a new album - the country-flavored Laughin' & Cryin' with the Reverend Horton Heat - due out September 1, and the band will be celebrating its 25th anniversary in 2010. Heath turned 50 this year, and bassist Jimbo Wallace has been with the group for 20 years.

But Heath would prefer that information not get out. "In the world or rock and roll," he said, "telling people that you've been around a long time isn't necessarily the best thing."

Tripmaster MonkeyJason Parris, the booking agent for the Rock Island Brewing Company, knows there is something special about the local bar. "The room feels and looks like a New York club," said Parris. "You can see the history in the room with all of the black-and-white photos of people who have played here. You can definitely see that it's been around for 30 years."

On July 31 and August 1, RIBCO (at 1815 Second Avenue) will commemorate its 30th anniversary. Bands including Driver of the Year, Cheese Pizza, Jim the Mule, and Keep Off the Grass will perform at the two-night celebration, along with reunion performances by Tripmaster Monkey and Einstein's Sister.

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