Who says only "the kids" can rock? A handful of new CDs from older, established artists are on the horizon for the new year, tickling my ears with hip collaborations, serious ambitions, and a "supergroup" to slay all supergroups.

Rude PunchAt first glance, you wouldn't guess that the guys in Rude Punch are ambassadors for reggae rock in the Quad Cities. Often sporting T-shirts, jeans, and baseball caps, the three band members look like typical white, early-20s college kids.

The trio - singer/guitarist Brady Jager, bassist Robb Laake, and drummer Adam Tucker - has been working this fall on its debut album and is gearing up for shows in Iowa City and in the Quad Cities over the next two months. And while the young band is at stylistic odds with most of its peers in this area, it is hell-bent on bringing its brand of Jamaican-flavored jingles to the masses.

The Spiral Band, "The Spiral Band" Imagine if Dave Matthews moved back to South Africa to find inspiration for a new album. After contemplating what really matters in life and taking some elements of the native music styles, including hand-drum percussion and backing vocals that at times sound similar to tribal choirs, that new Dave Matthews album might sound a lot like the debut recording from the Spiral Band.

There's not a lump of coal in this season's stocking of new Christmas music, with five CDs from indie record labels worth finding.

Bob Margolin(Editor's note: Although the December 2 Adler Theatre "Legends of the Blues" concert was canceled, the River Cities' Reader thought readers - particularly blues enthusiasts - would appreciate this interview with Bob Margolin of the Muddy Waters Reunion Band.)

"For me, ‘the crossroads' is in Boston, not Mississippi."

That's how guitarist Bob Margolin explained his luck at finding himself playing beside a true musical giant, the father of deep "old school" blues - Muddy Waters - from 1973 until 1980. 

the Quad City Symphony led by David Bellugi At this weekend's Quad City Symphony concerts at Augustana College, David Bellugi will be the guest conductor and the soloist. For much of the concert, he'll actually be playing the recorder as he conducts. And that's just one of the elements of this concert that make it unusual.

Back in the day when the vinyl LP ruled the world, one of the greatest thrills a record collector could stumble upon was the odd, privately pressed "bootleg" album - a secret, magical experience in which rabid fans met outlaw commerce, demanding that live concerts and other unsanctioned recordings be set free. Often hit-or-miss in terms of sound quality, one surefire way to pick a winner was to look for those LPs stamped with the image of a portly American Yorkshire hog and the words "Trade Mark of Quality." Bootlegging the bootlegger, Cleopatra Records uses that iconic image and the "swinging pig" logo to grace the cover of its new "underground" three-CD set, This Is Remixed Hits: Mashups & Rare 12-Inch Remixes. Highlights include a Razed in Black remix of Bow Wow Wow's "I Want Candy" that sounds like a Nine Inch Nails outtake, Funkstar De Luxe's thumping reconstruction of Tom Jones' "She's a Lady," and a Sigue Sigue Sputnik remix of Warrant's "Cherry Pie" that sounds like a lost Zodiac Mindwarp session. The set features two more must-hear mashes: the Swing Cats' "surf guitar" remix of Little Richard's "Good Golly Miss Molly" that could make a great game-show theme, and KRS-ONE giving Stephen Pearcy of Ratt a real smackdown in his rock-versus-rap mashup of "Round & Round."

 

While places such as MySpace offer musicians an affordable alternative to high-risk record deals and still provide undeniably lucrative exposure, the trend hasn't been without costs. The number of artists to choose from is overwhelming, making it difficult to tell one from the other.

With what seems like a thousand new bands coming out every week, it all does really start to sound the same after a while. So for a band to make its mark in today's market, it needs to work even harder at distinguishing itself from the crowd.

While an exhausted record industry takes a long nap on the couch next week in that post-Thanksgiving food coma, a terrific stack of new rock-and-roll books gives good reason to stay down a little longer and balance a good read and another piece of pie on your belly. The Beatles add two terrific selections to their wing of the sophisticated rock library, and a long-lost moment in time from the late 1960s is given a new life. Almost as large as the visual punch of a 12-inch LP jacket, Boxigami Books has just released the perfect coffee-table gift for any fan in Beatles Art: Fantastic New Artwork of the Fab Four. Featuring more than 200 pages of visual interpretations both joyfully touching and quietly sad, the glossy pages jump and cross-cut the band's iconic imagery, both real and imagined. Highlights include the quartet portrayed as sloths, hip-hop homeboys, a Spanish Colonial retablo, and wild beer-keg-sized ceramic busts. Want to taste immediate jealousy? Check out the 250-square-foot murals in the home of a California musician.

 

Shannon Curfman Shannon Curfman is an old soul in a young person's body.

"Buddy and I were ... talking about that actually - Buddy Guy," Curfman said in a phone interview last week. "He was kind of making fun of me. ... He's like, ‘You know what? That's bullshit. ... You're 20 years old and you've already gone through this. It took me until I was almost 70 to realize half this stuff.'"

"This stuff" is the nearly inevitable souring of a major-label musician on the business of selling records. Many performers need decades of being exploited by big corporations before they realize there's a better way. Curfman, who is now 21 and will be performing this Saturday at the Redstone Room, figured it out in her teens.

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