Nobody expected it to happen this soon, but the Iowa Values Fund is up for its first performance evaluation, and the results are mixed. The program - which was supposed to attract high-paying positions in natural areas of growth for Iowa such as agriculture - has brought new jobs, but not nearly as many as promised.
As Rock Island and Davenport both undertake the issue of rental-property inspections, it will be worth following to see how similar - and different - their programs end up being. The issue is important because rental inspections are a major way a city can help maintain and even improve its housing stock.
Longtime fans of Rod Piazza know that the pinnacle for the harmonica-player and leader of The Mighty Flyers came with 1994's Live at B.B. King's Blues Club. After all, what better way to capture the blistering showmanship of this band than with a live record? "It's kind of a hallmark album for me," Piazza said.
Clarence "Gatemouth" Brown will not have the blues when he performs at the Mississippi Valley Blues Festival this weekend and receives the RiverRoad Lifetime Achievement Award. There's too much music in him. He plays guitar, harmonica, violin, mandolin, viola, and drums, and he simply doesn't abide by any musical boundaries, comfortable in the Cajun music of his birthplace and the Texas blues and country styles of his youth, along with jazz and R&B and calypso and pretty much anything else he can get his hands on.
Interviewing Clarence Fountain is a bit like asking a question of a Magic 8 Ball. The answers are short, glib, and often contradictory. Fountain, the leader and one of the original members of the Blind Boys of Alabama (which was formed in 1939), is feisty, and his responses don't do justice to his music.
W.C. Clark is something of a legend in his native Austin, Texas, having been a key player in the integration of the blues scene, giving a boost to artists such as the fiery guitarist Stevie Ray Vaughan. But it wasn't until 2002 - after Clark dedicated himself to his music in a new way - that he started to get his due.
W.C. Clark is something of a legend in his native Austin, Texas, having been a key player in the integration of the blues scene, giving a boost to artists such as the fiery guitarist Stevie Ray Vaughan. But it wasn't until 2002 - after Clark dedicated himself to his music in a new way - that he started to get his due.
A little time off can do wonders for an artist. Before singer Reneé Austin gave up performing music in 1999, she felt in a bit of a rut, stuck performing blues material that really wasn't her. She had an album, Dancin' with Mr.
For Charlie Musselwhite, the blues aren't 12 bars and three chords. "It's the feeling," he said. "You can find the music of lament anywhere." The irony of that statement is that harmonica wizard Musselwhite was at the forefront of the white-blues movement of the 1960s, and - as the All Music Guide notes - he was "especially faithful to the style.
Editor's note: In 1995, to celebrate the 10th anniversary of the first Mississippi Valley Blues Festival, Todd McGreevy traced the history of the event and the organization that plans and runs it. On the occasion of the 20th festival, the Reader is reprinting this condensed version.

Pages