The Agendas

While the visits to Davenport last week of President George W. Bush and chief political rival John Kerry were campaign events, their simultaneous appearances provided a good opportunity to compare the two candidates' proposals.
In the eyes of Jim Bowman, Moline's downtown is full of "sales waiting to happen." With the Mark of the Quad Cities and various John Deere-related tourist destinations, the city's downtown should be thriving.
Nobody expected it to happen this soon, but the Iowa Values Fund is up for its first performance evaluation, and the results are mixed. The program - which was supposed to attract high-paying positions in natural areas of growth for Iowa such as agriculture - has brought new jobs, but not nearly as many as promised.
As Rock Island and Davenport both undertake the issue of rental-property inspections, it will be worth following to see how similar - and different - their programs end up being. The issue is important because rental inspections are a major way a city can help maintain and even improve its housing stock.
Longtime fans of Rod Piazza know that the pinnacle for the harmonica-player and leader of The Mighty Flyers came with 1994's Live at B.B. King's Blues Club. After all, what better way to capture the blistering showmanship of this band than with a live record? "It's kind of a hallmark album for me," Piazza said.
A major milestone is a good occasion to step back and see what's been accomplished. Now in its 20th year, the Mississippi Valley Blues Festival has hosted more than 400 performers on its stages. Here's the complete list, not including this year's lineup.
Clarence "Gatemouth" Brown will not have the blues when he performs at the Mississippi Valley Blues Festival this weekend and receives the RiverRoad Lifetime Achievement Award. There's too much music in him. He plays guitar, harmonica, violin, mandolin, viola, and drums, and he simply doesn't abide by any musical boundaries, comfortable in the Cajun music of his birthplace and the Texas blues and country styles of his youth, along with jazz and R&B and calypso and pretty much anything else he can get his hands on.
Interviewing Clarence Fountain is a bit like asking a question of a Magic 8 Ball. The answers are short, glib, and often contradictory. Fountain, the leader and one of the original members of the Blind Boys of Alabama (which was formed in 1939), is feisty, and his responses don't do justice to his music.
W.C. Clark is something of a legend in his native Austin, Texas, having been a key player in the integration of the blues scene, giving a boost to artists such as the fiery guitarist Stevie Ray Vaughan. But it wasn't until 2002 - after Clark dedicated himself to his music in a new way - that he started to get his due.
W.C. Clark is something of a legend in his native Austin, Texas, having been a key player in the integration of the blues scene, giving a boost to artists such as the fiery guitarist Stevie Ray Vaughan. But it wasn't until 2002 - after Clark dedicated himself to his music in a new way - that he started to get his due.

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