It struck me, during Saturday's matinée performance of Big River at the Timber Lake Playhouse, that theatre is my church, considering I repeatedly wanted to raise my hands in praise and shout "Amen!" at various points, and in ways I used to while attending Sunday services in my younger years. Theatre, for me, is a spiritual experience, and this Big River served as a big-tent revival that reminded me of that truth.
Good gawd is the Timber Lake Playhouse's Hairspray fun. I went into Saturday's matinée with eager anticipation and left with a sense of thrilled enjoyment, floating on a cloud of happiness. Director Lili-Anne Brown's production of this musical based on John Waters' 1988 film is not only a helluva good time for us, but a rockin' wild ride for Amelia Jo Parish's Tracy Turnblad, as Hairspray's lead goes from overweight sideliner to local-dance-show star to racial-integration crusader in 1960s Baltimore.
There's one thing that appears missing from Clinton Area Showboat Theatre's Sunday in the Park with George: adequate rehearsal time. Actually, there are a number of things partially absent in this offering - polished performances, accurate notes, emotion - but they all stem from what seems to have been not enough time to adequately prepare the piece. To quote lyrics from the show, "art isn't easy," but it's certainly easier than prepping a Stephen Sondheim production in two weeks.






