Ballet Quad Cities' CinderellaThere were two particular elements that made Ballet Quad Cities' Cinderella (which ran for two Adler Theatre performances on April 20) especially watchable beyond Courtney Lyon's exquisite choreography: clear storytelling, and humor. Not at one moment during Saturday evening's performance did I find it hard to figure out which part of the fairytale was being depicted in dance, even down to the details of what specific characters were doing and feeling at all times.

Jake Lyon and Emily Kate Long in the Love Stories piece Prelude to EternityWhat first struck me during February 18's performance of Ballet Quad Cities' Love Stories: Love on the Run was the venue, as Augustana College's Wallenberg Hall provided exactly the spatial experience I wanted for this series of balletic vignettes. There's a grandness to the architecture, particularly the Tuscan pillars, that lends itself to the high-art air of ballet, but there's also an intimacy there that allowed the audience to be close to the dancers, who performed on a raised platform. I often lost myself in the beauty, passion, and emotion of the choreographed works because I was so near to the action, and not separated by a sea of seats in a formal theatrical setting.