Cartouche Records' Bob Herrington at his Ragged Records store.

When I asked Bob Herrington how business was at his Ragged Records store, his answer was a shrug. “It’s good enough,” he said. “I sell records. I’m not going to get rich.”

Ragged Records, of course, specializes in new and used vinyl just off the Government Bridge in downtown Davenport, in a shared space with Trash Can Annie. Prominent in the store is a display showcasing eight LPs – all bearing the name of Cartouche Records, which Herrington also runs.

And the words meant for Ragged Records could easily apply to the two-year-old label. “It’s not a money-making venture at this point,” Herrington said of Cartouche. “If I can do it, and put out a few releases a year, and not lose a ton of money, I’m going to continue to do it.”

The first track of any various-artists compilation bears a heavy burden, required to set the tone for what follows even though the performer had no role in crafting the remainder of the songs. Chris Coleslaw's "Sterling ILL" does this on Hello Quad Cities - Volume 2 with a verse that succinctly repeats a common complaint about the Midwest, and the Quad Cities: "So New York grows / Hollywood glows / Well here in the middle / Well they say it just snows."

Coleslaw's delivery over acoustic guitar is poignant without being doleful - matter of fact yet clearly felt.

The sequencing here is smart - implicitly framing the second limited-edition local compilation as a rebuttal to the argument that our community is a dull dead end and then backing it up with "Sterling ILL" and 11 other exclusive tracks. (Hello Quad Cities is available on colored vinyl only, but each copy comes with a digital-download code.) Last fall's Volume 1 was notable for its consistency, and the follow-up comes close to rivaling it.