David Auburn's 2001 drama Proof isn't a torpid Pulitzer winner. Though it did win that prize along with the Kesselring and Tony awards, Proof is suspenseful from start to finish and has often been compared to a detective novel.

If there's a show that will make people question their thoughts and ideas about racism, it's Spinning Into Butter, continuing this weekend at Augustana College in a production by New Ground Theatre.

Even though the organization has only staged two plays in its first year, New Ground Theatre chooses to measure success by quality more than quantity. And New Ground has been rising after being started last year by a woman with an idea and funding from local organizations.

Compared to Chicago or even to Iowa City, the Quad Cities' contemporary-theatre base is practically nonexistent. But that could change with the help of one of the area's newest drama groups. With only two staged plays under its belt, the New Ground Theatre Company is already living up to its name.

Spinning into Butter, Riverside Theatre's third production in its 21st season, is a sometimes-humorous look at very serious subjects: political correctness and racial politics in the new millennium. The work and the production have local roots. The play was written by Rebecca Gilman, who has an MFA from the University of Iowa and is an acquaintance of Ron Clark and Jody Hovland, co-artistic directors at Riverside. (Time magazine hailed Gilman as "an important new theatrical voice.") And director Bruce Levitt is a former University of Iowa faculty member and was director of the MFA. actor-training program at the school from 1977 to 1980.