Listening wasn't enough. You had to be there to take it all in.
As one of the world's leading musicians, cellist Yo-Yo Ma is renowned for his compelling tone, masterful technique, and convincing musical storytelling. But on May 14 at the Adler Theatre with the Quad City Symphony, he demonstrated a key element that could only be experienced in the live performance: body language.
The special centennial-season concert was unparalleled for its depth of expression, precision playing, and warm sensitivity, especially in the second-half performance of Antonín Dvo?ák's Concerto in B Minor for Cello & Orchestra with Ma. And when the spotlight shone on the Quad City Sympony in the first half, the orchestra flexed its considerable dynamic and melodic muscles in no-holds-barred performances of Johannes Brahms' Academic Festival Overture and Pyotr Tchaikovsky's tuneful Romeo & Juliet Fantasy Overture, creating stark moments of volcanic intensity and radiant melodic shaping.