Bekah Ash The third edition of the Venus Envy art exhibit - held as part of Saturday's larger celebration of women's creativity - certainly includes traditional feminist themes such as gender-role subjugation, objectification, and commodification. But the diverse show is not dogmatic, with works on women's health issues, goddess imagery, and the life-giving nature of women, with many pieces demonstrating grace, wit, and wisdom.

but without the chocolate chipsGolden-brown and rust clouds battle a wave of cool, storm-tossed blues. Lush, glossy surfaces are resisted by thickly painted gestural slashes and incised flowing forms. These are just part of the explosion of colors and surfaces found in Con-tin-gen-cies, the current show of new works by Emily Christenson at the doe Gallery in the Bucktown Center for the Arts.

Reader issue #627 Each year, our regional artists have the opportunity to showcase their work in the premier juried art exhibit in the Quad Cities area: the annual Rock Island Fine Arts Exhibition in the Centennial Hall gallery at Augustana College. Area artists know that this is an important show not only for the regional recognition and the respect of fellow artists, but also for their résumés and possible sales.

Brian Roberts - MouthTactile, warm, and vibrant quilts wage a playful dogfight with large and bold oil paintings dripping with lush colors, offset by lightly weathered pods of overlapping metal plates. Just a few miles away, their siblings passively engage each other in a nonchalant visual standoff.

Can this really be the same exhibit?

Angel Top and Rooster Bottom Sixty works to represent any artist's life would usually be a major retrospective, but for the late Father Edward M. Catich, it's only a glimpse. Catich (1906-1979) was an artist, a scholar, a bookmaker and printer, a master calligrapher, a stone carver, a sign painter, a creator of fonts, a great teacher, a stained-glass window maker, a musician on many instruments, a coin collector, a painter, a traveler, an orphan, a child of the Depression, and a parish priest.

Deborah Butterfield's famous horse sculptures - 16 of which are currently being exhibited at the Figge Art Museum - are created from gathered steel or bronze or wood and formed into horses of great beauty and spirit. There is an elemental surprise that her horses are made this way - abstract and yet real, freely formed and yet completely descriptive. Her sculptures become living, breathing creatures before our senses, expressing the horses' strength and power and also their delicacy and silence. They will remain on the third and fourth floors of the Figge through May 27.

The latest show by Corrine Smith, running through March 9 at the Morrissey Gallery inside St. Ambrose University's Galvin Fine Arts Center, is a chance to see some exciting new color explorations by a painting and collage powerhouse. She has incorporated a wider range of bolder colors that have invigorated her powerful images with even more visual octane.

Rachael Mullins - The work of two artists now showing at the MidCoast Fine Arts Gallery in LeClaire could easily be called The Old World Made New and All Creatures Great & Small.

It took more than six months to clear out the potted plants and detritus from stray cats that choked their future gallery space. That was just the first in a long string of challenges that confronted husband and wife Ron and Sarah Jane Fellin as they infused the Peanut Gallery with life.

After almost eight and a half years, numerous art shows and happenings, and $20,000 of their own money to keep it running, a fire in an adjacent building that was being demolished forced the Peanut Gallery to end its run this past fall.

Reader issue #617The e-mail query was direct, but the phrasing was careless: "I'm working on an article on making a living as an artist ... ," it began.

The response from writer Maureen Wallner came within half an hour: "Making a living," she wrote. "That's funny. If we count fulfillment, I'm a wealthy lady."

Less sarcastically, photographer Jack Wilhoit said: "I don't know any artist ... who is making a living selling their own art."

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