Twelve Quad Cities-area artists have been selected by a jury to create works for an exhibition and auction in conjunction with a major show at the Figge Art Museum. The artists will donate the 12 pieces to benefit the Figge, where the local artworks will be displayed from the week before a fundraising gala until May 27, or whenever the winning bidders choose to take possession of the artworks. The selected artists were Emily Christenson, Catherine Jones Davies, Diane Dexter-Wall, Sara Jane Fellin, Kristin Garnant, Ulrike Goerlich, David Heffner, Heidi Hernandez, Nancy Lindsay, Jim Riesberg, Bruce Walters, and Peter Xiao. The museum will present its fundraising gala "Under the Big Sky" on March 24, when guests can see the major exhibition of Deborah Butterfield's horse sculptures as well as the Follow the Horses show of locally created works. To make reservations for the gala, contact special-events coordinator Mary Davidson at (563) 326-7804 extension 2046. Admission is $125 per person, which includes heavy hors d'oeuvres, live music, wine, and cocktails. 

 

Reader issue #622 Welcome to the first official Reader "Business Issue." While we are keenly aware of our own 13-year record of covering business issues important to the community, it's no secret that the Reader is often (especially among our Davenport-based critics and competitors) dismissed as "anti-business" or "anti-growth" "againsters."

So if our coverage is "anti-business," what would "pro-business" coverage look like?

Don Henry wants to be judged on jobs.

As the director of the Northwest Region Entrepreneurship Center, the only criterion that matters, he said, is the number of new jobs his organization helps create. Even though the State of Illinois provides the bulk of his budget, Henry isn't bogged down by odious regulations or reporting requirements.

When discussing business climate, the one issue that affects companies across the board is taxation. And however you cut that issue, Iowa has a better business climate than Illinois.

As much progress as each of the Quad Cities has made toward a vibrant downtown, it seems slower than anticipated or promised.

How do we know how well our local economy is faring? We're bombarded with anecdotes - this business closing, this restaurant opening, quarterly earnings from Deere - but how do those translate into a bigger picture?

The latest show by Corrine Smith, running through March 9 at the Morrissey Gallery inside St. Ambrose University's Galvin Fine Arts Center, is a chance to see some exciting new color explorations by a painting and collage powerhouse. She has incorporated a wider range of bolder colors that have invigorated her powerful images with even more visual octane.

Davenport has a glorious history of birthing newspapers - 150 in 171 years. Yet even the mud-caked, hand-cranked press of the old Daily Gazette, which fell off the gangplank into the river, could have printed a clearer picture than the Quad-City Times as to what Davenport citizens will lose if their council eliminates all four standing committees.

The Mississippi Valley Blues Society has announced the lineup for the 2007 IH Mississippi Valley Blues Festival. The organization will celebrate its 23rd annual festival with a lineup of blues legends and up-and-coming stars. More than 17,000 people are expected for the festival, which runs from Friday, June 29, through Sunday, July 1, in Davenport's LeClaire Park. The event is one of the longest-running blues festivals in the country. The complete schedule is available at (http://www.mvbs.org) . Headliners include Robert Randolph & the Family Band; blues-harp artists Mark Hummel, James Harman, and Paul Oscher; and Little Charlie & the Nightcats.

 

Juliet Goodfriend The "real" world can teach you about marketing, or annual reports, or human resources. The real world can't teach you much about literature, or philosophy, or art.

Juliet Goodfriend thinks that higher education and corporations put too much value on those real-world skills, and not nearly enough emphasis on the liberal arts. In her words, there's too much focus on "professional training at the loss of real education."

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