
The second track on the debut album by the Kopecky Family Band is the mid-tempo number "Heartbeat," pleasant but unremarkable until the two-tiered bridge, which ultimately explodes with what sounds like a theremin.
It's actually co-founder Gabe Simon whistling, multitracked and treated with reverb, and those 15 seconds demonstrate a maximalist tendency - understandable for a six-person band with members who play several instruments. The album starts with horns and cello, for instance, before the guitar rock kicks in, and the record employs an expansive sonic palette.
But the key thing about that whistling is that it's right, the perfect touch at the perfect moment. Beyond the typical mix of loud and quiet songs, the Kopecky Family Band on the vibrantly dynamic Kids Raising Kids (out April 2 on ATO Records) has a judiciously sharp sense of how much or little songs require; adventurousness is tempered by discipline.
"Change" is acoustic guitar, some ethereal atmospherics, and vocals - anchored by the inherently poignant singing of Kelsey Kopecky. Straightforward opener "Wandering Eyes" has a swagger bordering on stalker menace. "Are You Listening?" finds Simon whistling again, but in a conventionally tuneful way.
"That's the dynamic of the record: to get that simple or to get as a big as a song like 'Hope' - multiple layers, tons of strings, tons of keyboards ... ," Simon said. "There have to be those moments when you say, 'Does it need everything? ... Can this song survive just by itself? Or does the song need these layers to build it into something great, ... memorable?' That's what I think is cool about the record: It has both of those things. That's what six people allows to happen."




If you're looking for excitement from Tim Schiffer - the Figge Art Museum executive director who started on August 1 - don't talk to him. Instead, just look at the walls.
If a government body wants to spend tens of millions of dollars for a construction project, there are lots of ways to gauge the public temperature.
Based on her vocal confidence and itinerary, it's hard to believe that Nikki Hill is by her own admission a neophyte on the music scene.
For the seventh year, I've compiled a selection of favorite songs from the past year and sequenced them into an album - something that can fit on an 80-minute CD, with no artists repeated from previous years and a limit of one song per artist.
The Hives, "My Time Is Coming." There's always been a threatening edge to the punkish garage rock of the Hives, but it's always been obliterated by cheekiness, matching outfits, and a bright bluster that made it impossible to take anything at all seriously. Here, the title and chorus are far from earnest, but both the music and vocals carry something darker - not of getting one's due but of seizing out of desperation and deprivation ("You see I grew up in a hole / Squeezing diamonds out of coal"). The reverb-heavy guitar and the quiet opening before detonation represent minor aesthetic developments for the Swedes, but the biggest change is how they tap into a rage that for once feels authentic.






