Chris Jansen, the artistic director of the New Ground Theatre, is a self-described "Junior Theatre kid," and has the pictures to prove it. She thinks.

Activism can sneak up on you. One year ago, Bettendorf musician A.J. Haut couldn't have imagined being the initiator of a benefit performance involving dozens of performers and nearly a thousand dollars in raffle merchandise.
In the Clinton Area Showboat Theatre's ingenious new production of Beauty & the Beast, the first things to catch your eye are a small bench located stage right and a large screen - it's nearly half the length of the stage - hanging upstage. On that screen is a rear projection of a rose, and it has a haunting, rough-edged quality; it looks like something that French waif on the Les Miz poster should be holding.

At Friday's nearly sold-out performance of Over the Tavern at Richmond Hill's Barn Theatre, I found myself seated next to a charming couple who engaged me in conversation. I asked whether they had heard of the play previously, as Tom Dudzick's comedy was unfamiliar to me. The gentleman responded that he'd read a little bit about it, but his wife said, "Not me. I like being surprised."

Rob Schneider and Eddie Griffin in Deuce Bigalow: European GigoloDEUCE BIGALOW: EUROPEAN GIGOLO

Some comedies are so colossally, ridiculously unfunny that you're left with no choice but to stare at them in abject bewilderment. To the surprise of probably no one, Deuce Bigalow: European Gigolo is such a comedy. Yet the movie - and I hesitate to call it one - is actually far more intriguing than "colossally, ridiculously unfunny" would indicate.

In all honesty, it might not be appropriate for me to critique the new production at the Timber Lake Playhouse, considering that at Saturday night's performance I was in it. Then again, we all were.
"Tell them to get ready to rock and roll!" That is Edgar Winter's official message to those who'll see him Friday night at River Roots Live. And considering Winter's accomplishments in 35 years of performing, who wouldn't be ready? With more than 20 records to his name since his Entrance entrance in 1970, innumerable concert appearances, and continued public awareness due to the longevity of his '70s classics "Frankenstein" and "Free Ride," Winter is a bona fide musical legend, and one with a style that - like the musician himself - can't be easily categorized.

As Belle, the heroine of the Quad City Music Guild's Beauty & the Beast, Jenny Winn is a complete cartoon, and I mean that in the best way possible. It's generally thrilling when performers deviate from the expectations associated with a well-known character, but playing a role exactly the way an audience expects it to be played has its own rewards, and in Beauty & the Beast, Winn gives such a flawless approximation of a living-and-breathing animated figure that you might find it impossible not to stare at her with a big, goofy grin plastered on your face.

The Circa '21 Dinner Playhouse enjoys a luxury that no other theatrical venues in the area do: Its productions, on average, run about eight weeks each, allowing good shows plenty of time to eventually become very, very good shows. Given this, I'm guessing that the theatre's latest offering, Pump Boys & Dinettes, will, by its closing night on September 17, end up ... fine.

In real time, a half-second isn't all that long - roughly the amount of time it takes to swallow - but, on stage, it's surprising how long it can feel.

Pages