Due to the nature of his role, Ben Affleck is never allowed to laugh here. With Jon Bernthal gleefully egging him on, though, you can sense how deeply the actor must want to. Heaven knows my audience, myself included, was laughing.

There's no point in burying the lede on this. Even though it's only April, I can't imagine seeing a more dazzling, thrilling, thunderously satisfying 2025 release than Ryan Coogler's Sinners.

In our recent phone chat about the new Haus of Ruckus play, it takes Calvin Vo more than a half-hour to drop a bomb that probably should've been dropped in the first five minutes: “We're thinking, with the format we have now, this might be the last time we write Johnny and Fungus.”

Ummm … what?!

Technically virtuosic and undeniably gripping, Warfare seems to raise the bar in terms of realistic depictions of wartime atrocities, and that bar was already set awfully high. But while the movie isn't fun, nor is it meant to be, I also didn't find it satisfying … though the notion persists that it isn't meant to be that, either.

In his role as Steve, the miner (as opposed to minor) character at the heart of A Minecraft Movie, Jack Black is almost ferally over the top.

Even if you've previously seen Lyon's takes on The Firebird and La Création du monde, which will enjoy two stagings at Davenport's Adler Theatre on April 12, you won't have seen them quite the way you soon will.

Yes, a horned, magical creature does perish – at least twice. But forget its demise(s): Nothing that happens to the apparently not-mythical beast is quite as grisly as what happens to most of the movie's humans, our collection of potential victims including a Big Pharma titan and a grown man who seemingly doesn't own a pair of long pants. So, you know … it's okay to laugh if they die.

Garsh … so many thoughts on a live-action Disney reboot that, in all honesty, is barely worth a single thought. In honor of the support staff whose collective moniker has been dumped from the original Snow White & the Seven Dwarfs title, here are a septet of paragraphs on director Marc Webb's and screenwriter Erin Cressida Wilson's Snow White, accordingly themed to each individual Dwarf.

For roughly two-thirds of its length, director David Yarovesky's largely stationary thriller Locked is like 127 Hours if the boulder were played by Anthony Hopkins.

“You know which reviews of yours I really like?” asked a friend not long ago. “The short ones.” Taking that as a compliment for my more succinct pieces and not as the insult it almost certainly was, here are 300-word takes on the half-dozen movies I saw between Thursday and Sunday. They're presented in order of viewing, and preceded by five-word synopses that might, in effect, provide greater impetus to see or ignore said films than the subsequent wordage ever could.

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