After a lengthy illness, British director and two-time Oscar nominee Alan Parker passed away on July 31 at the age of 76. At the time of his death, Parker hadn't made a film since 2003's The Life of David Gale, which isn't exactly the fondest of cinematic farewells. But he could always be counted on to get critics talking. In 1982, a reviewer called his latest work “perhaps the most revealing American movie of the era.” In, 1987, a reviewer wrote, “Alan Parker has technique to burn … and that's what he should do with it.” And it was the same reviewer.

If you've got a few hours to spare, you can do a deep dive into all of the contenders at the Emmy Awards' official Web site. But if you're looking for something shorter, less comprehensive, and certainly less authoritative considering just how much TV I don't see on a yearly basis, here are a dozen personal, arguably meaningless takeaways from yesterday's announcement.

The following five films from 1957 to 1985 were all the first feature-length releases by directors who have been, or were, significant cinematic forces for more than 30 consecutive years. Don't even try fighting me over inclusion three, because you know you love it, too. Um … right?

If you've ever found yourself escorting others to, or hosting home viewings of, entertainments that your loved ones found resolutely not entertaining, here are five titles from 1977 to 1995 that, for me and my friends, led to awkward silences, napping, outright hostility, or, in one case, someone storming out of the room.

As we continue to cross fingers that something – anything – will soon be playing at a theater near us, let's take a look at five direct sequels from 1980 to 1993 that, for me, are all significant improvements on the blockbusters that preceded them.

Here's a salute to wonderful performances – all of them filmed before the actors turned 13 – available as home-viewing entertainment: a dozen 1973-to-1999 movie portrayals (five of them Oscar-nominated or -winning) that strongly suggest that acting gifts have precious little to do with age.

Damned if this fiercely funny, inventive, thoughtful, and affecting release doesn't feel like the first movie comedy designed specifically for the pandemic era: a spiky yet empathetic commentary on modern life and modern romance in which “modern,” for once, genuinely means “this exact moment right now.”

As we continue to wait for large, semi-large, and even intimate public-entertainment venues to safely open again, here are a few more home-viewing favorites from my nostalgia cabinet: five – well, make that six – excellent works from 1979 to 1992 all focused on the business of show, with different titles for different nostalgic moods.

Kevin Koster, co-owner (with wife Diane) of the Grape Life Wine Store & Lounge in Davenport, discusses the live music venue's operations during this period of social distancing. We spoke on Thursday, July 2.

Ryan Lounsbury, Marketing Director for the Rhythm City Casino Resort in Davenport, discusses the venue's operations during this period of social distancing. We spoke on Thursday, July 2.

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