Joseph Gordon-Levitt in InceptionINCEPTION

Inception, the latest offering from the director of Memento, The Prestige, Batman Begins, and The Dark Knight, is, I think, my new favorite of Christopher Nolan's screen works. Considering the breadth of the compliment, I briefly considered letting my review stand with that one sentence, but I suppose a few more paragraphs are in order.

Jonah Hill, Marisa Tomei, and John C. Reilly in CyrusCYRUS

Splice came and went in the blink of an eye and Predators sucks. So if you're jonesing for a good horror movie these days, you're advised to catch Jay and Mark Duplass' Cyrus, even though it isn't any kind of conventional scare flick; Jonah Hill's title character, however, could stand proudly next to Anthony Perkins' Norman Bates in the Crazy-Ass-Mama's-Boy Hall of Fame.

Quinn McGrath-Fitzgerald and her Aunt BeanLocal artist Heidi M. Sallows is the director of the 7ly Design Studio in Rock Island, and when she describes her venue's forthcoming The Mermaid Show as "not so much a show as an experience," you should know that she's speaking literally: If you so desire, the artworks on display will include you.

"My niece was part of what started the idea burbling in my mind," says Sallows of the event's origins. "Because last year I face-painted at a birthday party, and I painted her up like a ... . Well, I was trying to do a really cute zombie, but it was green, and it turned out looking more like a mermaid. And I was like, 'Oh, that's an interesting idea ... !'"

Despicable MeDESPICABLE ME

When a computer-animated feature doesn't have the Pixar label attached to it, I tend to be grateful for whatever flashes of true cleverness I can get, and it's a pleasure to report that Despicable Me delivers hundreds, if not thousands, of these flashes. They arrive in the form our protagonist's minions, and are called Minions, and resemble canary-yellow gel capsules with functioning limbs and one or two eyes. They're also just about the cutest, silliest, funniest damned creatures that have ever waddled, bounced, and shrieked through an animated outing (excepting your own children, of course). I liked Despicable Me just fine, but I never loved the movie more than when these miniature slapstick wonders were on-screen; the Minions' boss may be a super-thief, but these goofy little buggers easily steal the show.

Fred Harris Jr. in FencesTheatre

Fences

Playcrafters Barn Theatre

Friday, July 9, through Sunday, July 18

 

So let's say you watched this year's Tony Awards ceremony, saw that the August Wilson drama Fences received awards for Best Revival of a Play, Best Actor in a Play (Denzel Washington), and Best Actress in a Play (Viola Davis), and said to yourselves, "Wow, I'd really like to catch that show someday."

You currently have two options: (1) Book a flight to New York, and cross your fingers that the Broadway production still has a few premium-seat tickets available for $376.50 a pop. Or (2) Drive a few miles and see Fences at the Playcrafters Barn Theatre, with tickets going for $10 each.

I'm presuming you'd like to hear more about the second option?

Michael King as Richard III in 2009's King Henry VI: Richard, Duke of YorkIf you're familiar with local theatre, you're likely familiar with the work of Michael King, whose area credits include performances for the Playcrafters Barn Theatre, the Prenzie Players, the Harrison Hilltop Theatre, (the now-defunct) Ghostlight Theatre, the Circa '21 Dinner Playhouse, and - in numerous productions over the past five years - Rock Island's classical-theatre organization Genesius Guild.

Yet as King explains (with a laugh), if you've seen him anywhere on stage, you've likely seen him at his best.

"I suck at real life," says King, who turns 40 on July 7. "I do. You know, I make appointments and I miss 'em, I'm late with bills ... . Everything. But on stage, I'm able to be me.

Robert Pattinson and Kristen Stewart in The Twilight Saga: Eclipse

THE TWILIGHT SAGA: ECLIPSE

At roughly the halfway point in The Twilight Saga: Eclipse - the third of four books (and eventually five movies) in author Stephenie Meyer's frighteningly popular series - we're given a flashback that details the vampiristic recruitment of Rosalie (Nikki Reed), a character constricted to the sidelines in previous Twilight installments. Set in what looks to be 1920s or '30s America, the brief sequence finds this pretty blond-turned-bloodsucker exacting revenge on her hateful fiancé while sporting a wedding gown and a nightmarish grin, and it's a total kick; several scenes later, another enjoyable flashback shows us how the similarly undeveloped figure of Jasper (Jackson Rathbone) joined the ranks of the undead while performing a heroic service during the Civil War.

Rob Schneider, Chris Rock, Kevin James, Adam Sandler, and David Spade in Grown UpsGROWN UPS

In basic outline, director Dennis Dugan's Grown Ups is similar to last autumn's Couples Retreat, that witless, odious comedy in which a gaggle of Hollywood stars enjoyed a luxury weekend on a tropical isle and demanded that audiences pick up the tab. (More than $100-million worth of ticket buyers actually did. Staggering.) Beyond their locales, though, the main difference between them is that Couples Retreat starred Vince Vaughn, Jason Bateman, Jon Favreau, Faizon Love, and Malin Akerman, while Dugan's film top-bills Adam Sandler, Kevin James, Chris Rock, David Spade, and the entertainment vacuum known as Rob Schneider. Was this Happy Madison production - written by Sandler and Fred Wolf - going to pull off the borderline-miraculous feat of being the lesser of the two movies?

Ruthie Foster

The numerous plaudits for singer/songwriter Ruthie Foster include O magazine calling her "a blues powerhouse" and Paste magazine raving, "There's no denying the power of Foster's monstrous voice," and she received a 2009 Grammy Award nomination for her CD The Truth According to Ruthie Foster -- which is about as confident a title as one could imagine.

Yet during our recent phone interview, the Austin, Texas-based musician admits that power and confidence were by no means inherent traits.

"I knew early on that I wanted to be in music doing something," says Foster of her professional goals, "but being a singer out front was not my idea of what I wanted to do. I wanted to be support. For anyone. I was kind of shy, so I didn't really see myself doing what I'm doing now.

"So yeah, I wanted to be in music, but to this capacity?" she continues. "I just kind of learned how to be out in front of people and how to entertain. You know, you just keep saying 'yes,' and all these opportunities come up."

Zac Harmon

Growing up in Jackson, Mississippi, in the 1960s and '70s, guitarist and vocalist Zac Harmon says, "The thing about the blues is that it wasn't something you heard and said, 'Oh, I like that.' It was part of the culture, so when I started playing, it was only natural that that's what I played.

"Blues was like air," he adds. "And if you breathed, you was gonna get it."

With JazzNow.com lauding his "soulful vocals and breathtaking showmanship" and the Edmonton Sun describing him as "the closest the blues gets to a heavy-metal star," it's clear that Zac Harmon got it good ... even if it did take a while for people to realize it. Following two decades as a Los Angeles-based studio musician, writer, and producer, Harmon released his first solo CD -- Live at Babe & Ricky's Inn -- in 2002, and four years later, at age 49, received the Blues Music Award for best new blues artist.

"It's kind of funny," says the musician, during our recent interview, of his relatively late emergence in the blues spotlight. "Folks sometimes say, 'Oh, wow -- he's an overnight success!' But overnight in the music business can sometimes be 20 years."

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