Brandon Ford in All Shook Up No one in his or her right mind could possibly think that the Elvis Presley pastiche All Shook Up, the new presentation at the Timber Lake Playhouse, is a stronger piece of theatre than West Side Story or You Can't Take It with You, the first two presentations in the venue's 2008 season.

But whatever you do, do not, for the love of Pete, tell this to the performers in Timber Lake's latest, who are attacking this goofy lark with such impassioned zeal that you'd think they were enacting Shakespeare. (And, it turns out, they oftentimes are.)

Will Smith in HancockHANCOCK

It's been a couple of days now, and I find that my feelings toward the Will Smith blockbuster Hancock remain naggingly unresolved. And unfortunately, those feelings aren't going to be resolved through writing a review, because most of what I find troubling is troubling because of a mid-film plot development that I wouldn't dream of giving away. In the end, I found Hancock to be funny, smart, silly, exciting, preposterous, maddening, and unexpectedly haunting, but until it becomes safe to discuss the movie in full, it'll be tough to explain exactly why.

The Kinsey Report The blues musicians of the Kinsey Report - composed of Kinsey brothers Donald on guitar, Kenneth on bass, and Ralph on percussion - haven't released a new CD since 1998's Smoke & Steel, and during a recent phone interview, Ralph states that "we don't tour as much as we want. One reason is because the venues aren't there anymore, and another reason is because we've been working on a new record for some time now, and we want to come out with something fresh."

Reader issue #691 As the youngest of five children growing up in rural Lettsworth, Louisiana, blues musician Phil Guy, now 68, recalls that "our father always had the blues playing on an old phonograph. We would listen to Muddy Waters and John Lee Hooker and Lightnin' Hopkins and Smokey Hogg and people like that, and that stuff just got into my skin - it would just get into you and make you feel happy."

WALL•EWALL•E

Pixar's WALL•E is the best 100 minutes I've spent at the movies this year. It may wind up being the best 100 I'll have spent at the movies all year. (The first half seems perfect, and the second half seems merely to be Pixar working at full inspiration, which is the closest thing to perfect.) Prior to WALL•E, I found it impossible to decide whether Toy Story 2 or Finding Nemo or The Incredibles was my favorite of the studio's features. Now they're all fighting for second.

Reader issue #690 As you'll see in these pages, I attended five theatrical productions between Thursday and Sunday, and after writing some 4,200 words on my experiences, my editor asked if I wouldn't mind writing a couple hundred more as an introduction.

That bastard.

Neil Friberg, Jonathan Gregoire, and Molly McLaughlinA preface for those at Sunday's Genesius Guild presentation of The Comedy of Errors: You know that horribly rude woman who talked, and talked loudly, on her cell phone through the first two minutes of the play, even after repeated shushings and one verbal request to shut the hell up? I sat three rows behind her.

Pat Burr and Liz Millea in The Sound of MusicAs the show's many, many stagings have taught us, so long as you have a great Maria, a good Captain von Trapp, and a bunch of cute kids, you can present even a really mediocre The Sound of Music and get away with it. And I'm happy to report that the Countryside Community Theatre's presentation of Rodgers & Hammerstein's musical has a great Maria, a good Captain von Trapp, and a bunch of cute kids. As for the rest of the production ... well, they're getting away with it.

Aaron Sullivan, Denise Yoder, Dustin Oliver, Jaci Entwisle, and Peggy FreemanIn a theatre weekend that found me attending a Rodgers & Hammerstein musical, a Kaufman & Hart play, a Shakespeare, and a pseudo-Shakespeare, I have to admit that, with the Riverbend Theatre Collective's presentation of Kimberly Akimbo, I was so psyched to see actors in modern dress screaming obscenities at one another that I could barely contain myself.

Joshua Estrada, Craig A. Miller, and Ryan SchabachRyan Schabach is one of the cast members from the Clinton Area Showboat Theatre's three-man comedy The Compleat Wrks of Wllm Shakspr {abridged}, and I haven't yet determined if he's (a) an exceptionally good actor, (b) completely out of his mind, or (c) both. I'm going with (c), but if other commitments weren't keeping me away from Clinton for the rest of the show's run, I'd be happy to see it again just to be sure.

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