In discussing this year's Oscar races in the picture, director, and the acting categories, we may as well begin with the nominee area audiences had the least chance of catching, as it was the only major contender yet to get an area release: Duncan Tucker's Transamerica.

So, you've entered your office's Oscar pool - and it's a good Oscar pool, one in which they make you guess the winners in every category - and now you're in a pickle. Best Foreign Language Film? You haven't seen any of the nominees.

Like many who wind up pursuing a life in the theatre, Camanche, Iowa, native Dave Bonde never intended to; his plan was to secure a B.A. in Mass Communication. Yet after appearing in his first theatrical production at St. Ambrose University in 1991, Bonde found himself hooked by the allure of the stage, partly because of its connection to his own field of study.

Tumatoe Catch-Up

For a guy with the blues, Duke Tumatoe is remarkably upbeat. In a recent phone interview, the musician observed, "Life is inherently taken too seriously," and he's spent most of his career - the last 20 years headlining Dr.

Mary Elizabeth Winstead in Final Destination 3FINAL DESTINATION 3

Final Destination 3 is, almost unequivocally, the least successful of the franchise's entries. But you know what? The movie is still pretty terrific. It's easy to resent sequels that's don't deviate at all from the proven formula of their forebears, especially in regards to horror flicks; audiences want these follow-ups to give them what they loved about the original but not merely what they loved about the original. (The most common complaint I hear about horror sequels is "It's just like the first one.")

If you're a Simpsons fan and have always wondered what the hateful C. Montgomery Burns would look like in the flesh, you are advised to immediately secure tickets to Augustana College's production of The Miser, in which Brian Bengtson is giving a flawless approximation of Homer's hysterically hateful nemesis.

Kelly Reilly and Judi Dench in Mrs. Henderson PresentsMRS. HENDERSON PRESENTS

Beginning with its first reel, I had a pretty fair inkling that I would wind up hating Mrs. Henderson Presents, but the point of no return occurred around the 30-minute mark.

How nice is too nice? The question arises after viewing two films written and directed by author and filmmaker Max Allan Collins. Collins, a Muscatine resident, is the author of the graphic novel Road to Perdition, along with dozens of other books.

Martin Lawrence in Big Momma's House 2BIG MOMMA'S HOUSE 2

In the second season of TV's Arrested Development, struggling wannabe actor Tobias, separated from his wife and daughter, devises a brilliant strategy for insinuating himself back into their lives: He dons a wig and a frumpy housedress, speaks in a high, quasi-British falsetto, and greets his family as Mrs. Featherbottom, hired by "the agency" to serve as housekeeper and nanny. (Tobias, as the narration points out, is giddily - and ridiculously - enacting the plot to Mrs. Doubtfire.) His family is, naturally, unconvinced by Tobias' disguise, but they're happy to let him continue the ruse anyway - the house never looked cleaner. This subplot was a typically, fiendishly clever one for the series; by finally addressing the "Are you kidding?" element of this comic staple - where seemingly smart characters are fooled by a touch of latex and rouge - it subverted expectation by making our "hero" the butt of his own joke. Tobias' drag act made it impossible to ever again watch Mrs. Doubtfire - or even Tootsie or Some Like It Hot or Shakespeare's Twelfth Night - in quite the same way.

BROKEBACK MOUNTAIN (R) -Here's something that rarely happens: The movie that received the most Oscar nominations - eight in all - actually deserved to receive the most Oscar nominations. Ang Lee's agonizingly fine romantic western makes the mystery and heartache of love come alive in ways you may have forgotten movies were capable of. Nominated for Best Picture, Director, Actor (Heath Ledger), Supporting Actor (Jake Gyllenhaal), Supporting Actress (Michelle Williams), Screenplay Adaptation, Cinematography, and Original Score ... and, to be honest, a few others - Best Film Editing, Art Direction, maybe even Best Supporting Actress for Anne Hathaway - wouldn't have been out of line. (Great Escape Theatre, Showcase 53)

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