Moss Hart & George S. Kaufman's 1938 comedy You Can't Take It with You is so sturdy and reliably entertaining that it doesn't take much more than a mediocre version of it to make audiences happy. The current production at the Richmond Hill Barn Theatre is significantly better than mediocre - vibrantly played and almost consistently pleasurable - but what's completely surprising is the cleverness and skill behind Vicki Deusinger's staging of it.
"This is a true story," insisted Bill Engvall during a recent phone interview. "I was on a plane, and the flight attendant was asking about people who needed a wheelchair. And she actually said to us, 'If you requested a wheelchair, please walk up front and . .. .'" The comedian laughs. "People never cease to amuse me."
From first scene to last, New Ground Theatre's production of Boston Marriage is an almost total misreading of David Mamet's 1999 work. As usual, New Ground's decision to tackle offbeat and challenging material is commendable, but its latest offering is so wrong-headed in execution that it makes you understand why audiences often shy away from the offbeat and challenging.
Most of us have had the experience of running into someone who went to school with us years earlier. Very little, if anything, usually comes of those chance encounters. But for local artists Nicole Miller and Justin Elvidge, both 22, a surprise meeting has led, a mere four months later, to a shared exhibit of oil paintings at the Peanut Gallery in Rock Island, the first local showing for both Quad Citians.

Natalie Portman and Hayden Christensen in Star Wars, Episode III - Revenge of the SithSTAR WARS, EPISODE III - REVENGE OF THE SITH

I've spent a lot of time - both in print and in person - making fun of George Lucas' Star Wars prequels, and for a reason: It's pretty easy. The prosaic (and endless) exposition, the flat staging, the unspeakable dialogue, the ba-dum-ching! clunkiness of the comedy, the videogame-inspired mayhem, Jar Jar Binks ... there's practically no end of topics worth goofing on.

When the Putnam's IMAX theatre first opened its doors in 2002, the plan was to give audiences a big-screen educational experience they wouldn't forget. Yet in the past six months, you're nearly as likely to catch Beauty & the Beast or Harry Potter & the Prisoner of Azkaban at the Putnam as you are an educational opus along the lines of Everest.

Attendees of the annual Hornucopia festival will have their choice of great merchandise as well as Greek, Thai, and American food. But as its name suggests, they're really there for the horns, and as usual, The District of Rock Island won't disappoint.

Jet Li in UnleashedUNLEASHED

After its opening credits, Unleashed gets right down to business. Even if you haven't seen the trailers, the first five minutes of director Louis Leterrier's thriller will have you up to speed: Set in Glasgow, the film stars Jet Li as Danny, a young man raised by the malevolent crime boss Bart (Bob Hoskins) to be a human pit bull. If any of Bart's associates owe him money and refuse to pay, Bart introduces them to Danny, removes the Tiffany dog collar, and the welshers find themselves in a world of hurt.

When it was announced that the Brew & View's Devin Hansen, this spring, would open a similar theater, The Rocket, in the District of Rock Island's long-defunct Capri Cinema, the reaction of Brew & View regulars was generally twofold: an emphatic "Hooray!" followed by a quick "Huh?" After all, the Capri stands not four blocks from the Brew & View, and one such venue in the District was already more than film fans should have hoped for.

From May 12 to 14, hundreds of RiverCenter guests will be in stitches. Or rather, will be performing stitches, as the traveling Stitching Festival, sponsored by the Consumer Arts & Teaching Show (CATS), reaches the Quad Cities.

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