16 Aug 2005

A Dysfunctional Family You'd Want to Join: "Over the Tavern" at the Richmond Hill Barn Theatre

By Mike Schulz

At Friday's nearly sold-out performance of Over the Tavern at Richmond Hill's Barn Theatre, I found myself seated next to a charming couple who engaged me in conversation. I asked whether they had heard of the play previously, as Tom Dudzick's comedy was unfamiliar to me. The gentleman responded that he'd read a little bit about it, but his wife said, "Not me. I like being surprised."

09 Aug 2005

"The Weirdo Kid Who Played All the Instruments"

By Mike Schulz
"Tell them to get ready to rock and roll!" That is Edgar Winter's official message to those who'll see him Friday night at River Roots Live. And considering Winter's accomplishments in 35 years of performing, who wouldn't be ready? With more than 20 records to his name since his Entrance entrance in 1970, innumerable concert appearances, and continued public awareness due to the longevity of his '70s classics "Frankenstein" and "Free Ride," Winter is a bona fide musical legend, and one with a style that - like the musician himself - can't be easily categorized.
09 Aug 2005

The Wonderful World of Disney: Quad City Music Guild's "Beauty & the Beast"

By Mike Schulz

As Belle, the heroine of the Quad City Music Guild's Beauty & the Beast, Jenny Winn is a complete cartoon, and I mean that in the best way possible. It's generally thrilling when performers deviate from the expectations associated with a well-known character, but playing a role exactly the way an audience expects it to be played has its own rewards, and in Beauty & the Beast, Winn gives such a flawless approximation of a living-and-breathing animated figure that you might find it impossible not to stare at her with a big, goofy grin plastered on your face.

09 Aug 2005

Running on Half-Empty: "Pump Boys & Dinettes" at the Circa '21 Dinner Playhouse

By Mike Schulz
The Circa '21 Dinner Playhouse enjoys a luxury that no other theatrical venues in the area do: Its productions, on average, run about eight weeks each, allowing good shows plenty of time to eventually become very, very good shows. Given this, I'm guessing that the theatre's latest offering, Pump Boys & Dinettes, will, by its closing night on September 17, end up ... fine.
09 Aug 2005

Script Often Salvages My Verona's "This Is Our Youth"

By Mike Schulz

In real time, a half-second isn't all that long - roughly the amount of time it takes to swallow - but, on stage, it's surprising how long it can feel.

09 Aug 2005

"Hazzard"-ous to Your Health: "The Dukes of Hazzard," "Sky High," and "Must Love Dogs"

By Mike Schulz

Johnny Knoxville, Jessica Simpson, and Seann William Scott in The Dukes of HazzardTHE DUKES OF HAZZARD

Since there's exactly one entertaining scene (preceded by one entertaining cutaway) in the entire film version of The Dukes of Hazzard - one sequence in this shockingly wrong-headed comedy that's the least bit amusing - let me just save you the $10 and describe it now: For reasons I've gone to great lengths to forget, Bo (Seann William Scott) and Luke (Johnny Knoxville) decide to make a pilgrimage to Atlanta, so they hop in the General Lee and high-tail it out of Hazzard County, speeding along their dirt road with "Yee-haaaaw"s a-blazin'. Cut to the freeway in Atlanta, with the General Lee stuck in traffic. (A nice moment.) As they wait, vehicles pass them on both sides; half of the drivers and passengers greet the boys with hearty "Way to go! The South will rise again!" admiration, and the other half sneer at them with "You're gonna be late for your Klan meeting, rednecks!" revulsion. It's unclear whether the boys ever realize that the source of the travellers' contention is the trademark Confederate flag on the General Lee's roof.

02 Aug 2005

Notre Damn! An Extraordinary New "Hunchback": "The Hunchback of Notre Dame" at the Timber Lake Playhouse

By Mike Schulz
The Hunchback of Notre Dame, currently being presented at the Timber Lake Playhouse, is a little bit Jesus Christ Superstar, a little bit Frank Wildhorn, and a whole lotta Les Miserables, but it has a narrative structure and momentum that's all its own, and it's continually surprising - I can't recall the last time I felt so alert at the theatre. (It helps that this musical adaptation of Victor Hugo's novel is unfamiliar to most of us, having been produced only once before - at the Drury Lane Oakbrook Theatre - in 1994, and having gone through extensive revision since then.)
02 Aug 2005

Genesius Guild's "The Knights"' Script Nearly Triumphs Over Its Execution

By Mike Schulz
Saturday's opening-night production of Aristophanes' The Knights, which closes Genesius Guild's summer season and runs through this weekend, began with a few words from Guild founder - and uncredited Knights scribe - Don Wooten, and it's hard to imagine the evening commencing on a more charming note.
02 Aug 2005

In Praise of the CAST Cast: "Don't Drink the Water" at the Clinton Area Showboat Theatre

By Mike Schulz
Perhaps the biggest pleasure in attending an entire season of summer-stock theatre lies in the chance to see familiar faces in show after show. If a company's actors have impressed you in the past, just noticing their names in a new program is enough to make you smile, and I've now smiled throughout four consecutive shows at the Clinton Area Showboat Theatre (CAST). By this point, I'm so happy just seeing Katherine Walker Hill and Nicole Horton and Chris Amos and Craig Merriman and Patrick Stinson and Sandee Cunningham and Michael Oberfield and the rest of CAST's 2005 ensemble that it barely matters what show they're in; with actors this enjoyable, audiences are all but guaranteed to have a great time. (It's a wonderful argument for remaining faithful to a theatre ... and for purchasing season subscriptions.)
02 Aug 2005

"Stealth" Bomb: Also, "Bad News Bears," "Mad Hot Ballroom," and "The Devil's Rejects"

By Mike Schulz

Jamie Fozz, Jessica Biel, and Josh Lucas in StealthSTEALTH

If you can love a movie, and hate a movie, I guess there's no reason you can't feel sorry for a movie, and boy, does my heart go out to Stealth. It's the kind of dear, sad little flick that makes you want to pat it on the head and whisper, "It's okay, it'll all be over soon ... They'll make fun of you for two weeks and then no one will even remember your name."

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