16 Aug 2005

Rob Schneider's Penis Envy: "Deuce Bigalow: European Gigolo," "The Wild Parrots of Telegraph Hill," and "The Skeleton Key"

By Mike Schulz

Rob Schneider and Eddie Griffin in Deuce Bigalow: European GigoloDEUCE BIGALOW: EUROPEAN GIGOLO

Some comedies are so colossally, ridiculously unfunny that you're left with no choice but to stare at them in abject bewilderment. To the surprise of probably no one, Deuce Bigalow: European Gigolo is such a comedy. Yet the movie - and I hesitate to call it one - is actually far more intriguing than "colossally, ridiculously unfunny" would indicate.

16 Aug 2005

One-Woman Show Second to Nun: "Late Nite Catechism 2" at the Timber Lake Playhouse

By Mike Schulz
In all honesty, it might not be appropriate for me to critique the new production at the Timber Lake Playhouse, considering that at Saturday night's performance I was in it. Then again, we all were.
09 Aug 2005

"The Weirdo Kid Who Played All the Instruments"

By Mike Schulz
"Tell them to get ready to rock and roll!" That is Edgar Winter's official message to those who'll see him Friday night at River Roots Live. And considering Winter's accomplishments in 35 years of performing, who wouldn't be ready? With more than 20 records to his name since his Entrance entrance in 1970, innumerable concert appearances, and continued public awareness due to the longevity of his '70s classics "Frankenstein" and "Free Ride," Winter is a bona fide musical legend, and one with a style that - like the musician himself - can't be easily categorized.
09 Aug 2005

The Wonderful World of Disney: Quad City Music Guild's "Beauty & the Beast"

By Mike Schulz

As Belle, the heroine of the Quad City Music Guild's Beauty & the Beast, Jenny Winn is a complete cartoon, and I mean that in the best way possible. It's generally thrilling when performers deviate from the expectations associated with a well-known character, but playing a role exactly the way an audience expects it to be played has its own rewards, and in Beauty & the Beast, Winn gives such a flawless approximation of a living-and-breathing animated figure that you might find it impossible not to stare at her with a big, goofy grin plastered on your face.

09 Aug 2005

Running on Half-Empty: "Pump Boys & Dinettes" at the Circa '21 Dinner Playhouse

By Mike Schulz
The Circa '21 Dinner Playhouse enjoys a luxury that no other theatrical venues in the area do: Its productions, on average, run about eight weeks each, allowing good shows plenty of time to eventually become very, very good shows. Given this, I'm guessing that the theatre's latest offering, Pump Boys & Dinettes, will, by its closing night on September 17, end up ... fine.
09 Aug 2005

Script Often Salvages My Verona's "This Is Our Youth"

By Mike Schulz

In real time, a half-second isn't all that long - roughly the amount of time it takes to swallow - but, on stage, it's surprising how long it can feel.

09 Aug 2005

"Hazzard"-ous to Your Health: "The Dukes of Hazzard," "Sky High," and "Must Love Dogs"

By Mike Schulz

Johnny Knoxville, Jessica Simpson, and Seann William Scott in The Dukes of HazzardTHE DUKES OF HAZZARD

Since there's exactly one entertaining scene (preceded by one entertaining cutaway) in the entire film version of The Dukes of Hazzard - one sequence in this shockingly wrong-headed comedy that's the least bit amusing - let me just save you the $10 and describe it now: For reasons I've gone to great lengths to forget, Bo (Seann William Scott) and Luke (Johnny Knoxville) decide to make a pilgrimage to Atlanta, so they hop in the General Lee and high-tail it out of Hazzard County, speeding along their dirt road with "Yee-haaaaw"s a-blazin'. Cut to the freeway in Atlanta, with the General Lee stuck in traffic. (A nice moment.) As they wait, vehicles pass them on both sides; half of the drivers and passengers greet the boys with hearty "Way to go! The South will rise again!" admiration, and the other half sneer at them with "You're gonna be late for your Klan meeting, rednecks!" revulsion. It's unclear whether the boys ever realize that the source of the travellers' contention is the trademark Confederate flag on the General Lee's roof.

02 Aug 2005

In Praise of the CAST Cast: "Don't Drink the Water" at the Clinton Area Showboat Theatre

By Mike Schulz
Perhaps the biggest pleasure in attending an entire season of summer-stock theatre lies in the chance to see familiar faces in show after show. If a company's actors have impressed you in the past, just noticing their names in a new program is enough to make you smile, and I've now smiled throughout four consecutive shows at the Clinton Area Showboat Theatre (CAST). By this point, I'm so happy just seeing Katherine Walker Hill and Nicole Horton and Chris Amos and Craig Merriman and Patrick Stinson and Sandee Cunningham and Michael Oberfield and the rest of CAST's 2005 ensemble that it barely matters what show they're in; with actors this enjoyable, audiences are all but guaranteed to have a great time. (It's a wonderful argument for remaining faithful to a theatre ... and for purchasing season subscriptions.)
02 Aug 2005

"Stealth" Bomb: Also, "Bad News Bears," "Mad Hot Ballroom," and "The Devil's Rejects"

By Mike Schulz

Jamie Fozz, Jessica Biel, and Josh Lucas in StealthSTEALTH

If you can love a movie, and hate a movie, I guess there's no reason you can't feel sorry for a movie, and boy, does my heart go out to Stealth. It's the kind of dear, sad little flick that makes you want to pat it on the head and whisper, "It's okay, it'll all be over soon ... They'll make fun of you for two weeks and then no one will even remember your name."

02 Aug 2005

Visual and Performance Art Thrive on Downtown's Second Street

By Mike Schulz
Since the summer of 2000, when it attracted an estimated 2,000 visitors, MidCoast Fine Arts' annual ArtStroll street festival has been the go-to event for both area artisans and connoisseurs of the arts, a union of not-for-profit arts and cultural organizations designed to showcase the quality and diversity within the Quad Cities' art community.

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